Blue Monday.
Today I learned of the cuts that are being made to National Museum of Wales, which is currently being advertised on TV for Visit Wales. I don’t have the means to create it, but theres a dark satirical play in there somewhere.
Also I learned that Mermaid & Monster, Wales’ Contemporary Artist Agency, is no longer representing artists, for various reasons. Nothing but the best to Gordon for the future.
A bad day for Wales.
Bob Gelsthorpe uses a broad approach to studio practice, incorporating feelings, images, objects, actions and texts, as well as facilitating the isolation of feelings, images, objects, actions and texts. Recent outputs include: As it waits, until it lasts, Glynn Vivian Art Gallery, Swansea; SWAP Editions: Ad Hoc, Castor Projects, London; Crit-a-Öke: Abridged, Tate Exchange, Liverpool. Curated by Tžužjj (all 2017); This Brutality, Airspace Gallery, Stoke-on-Trent; everything, forever, for you, Line Gallery, Stroud (both 2016). Recent inputs include: Zabludowuicz Collection Master Class - Testing Ground (2018), a-n Writer Development Programme & Wales in Venice Cymru yn Fenis Invigilator Plus (both 2017).
