You searched for access - Page 4 of 7 - a-n The Artists Information Company

Penny Jones explores the career of Andrew Tanner who has spent ten years as a designer maker developing many successful ranges of batch-produced ceramics.

Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.

Jane Adam is a successful jewellery designer with an international reputation. Polly Harknett discusses her career and studio at Cockpit Arts and her wider role in the craft community.

Penny Jones talks to Deirdre Nelson about her textile-based work, often made in response to museum collections or site histories and informed by local communities, and residencies in the Scottish Highlands and Australia.

Cynthia Cousens profiles Anne Brodie, who uses film, photography and glass, discussing her career development and fellowship to Antarctica in 2006/7.

An introduction by Charlotte Frost to the different projects Electra has instigated utilising its own brand of ‘crosscontextualisation’ to co-opt audiences from existing genres.

Sara Haq on Judy Freya Sibayan, performance and conceptual artist, curator, publisher and museum.

S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.

S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.

S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.

What gives a particular place its characteristics? Why are some cities hip and others lame? How does a neighbourhood change from good to bad?

Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.

Lee Simmons on Sue Cohen’s practice as an artist/curator and her focus on bringing art into the public sphere.

Nicky Hodge featured in the Fine art and Painting sections of a-n’s Signpost publication for new graduates in 2001-3. Since then, exhibitions with Danielle Arnaud Gallery have served to demonstrate the value of the artist-gallery relationship.

Jo Wilson looks at the practice of Adele Prince who, since graduating in 2001, continues to work full-time as an artist on a variety of commissions and exhibitions.

Sara Raza on Grace Ndiritu, a young London based artist who is enjoying an upwards ascent with an impressive portfolio of national and international exhibitions, that present a fresh style of politics and performativity.

Finnish artist Tea Mäkipää’s work confronts her viewpoint of impending ecological catastrophe through interventions and installations positing an alternative vision of existence. By Manick Govinda.

What I like about being an artist

Paul Stone on east London based organisation Cell Project Space that across three sites encompasses gallery, studios and internship programme.

A small collective workspace in a converted barn in rural Lancashire.

Rodney Court is a proposed conversion of a Manchester tower block into live/work space for artists.

Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.