Artists Sally Lemsford and Elizabeth Murton reflect on AIR’s first annual members forum, OpenAIR: Effecting Change. Interview by Jack Hutchinson.
Profiling two education programmes that provide a variety of entry points to artistic practice and encourage audience participation via tours, symposia, courses and workshops as well as performances and events.
In April 2010 six young people from North Glasgow were given the unique opportunity to explore life in a completely different way and to interpret what they saw using photography within contemporary art.
Adam James, The Booger Dance
Last month’s announcement that June would be the final copy of a-n Magazine in print has generated some questions which we’re responding to here for the benefit of all readers.
A good proposal is like a conversation. To begin a really good relationship, you’ve got to find out as much as you can about who you’re talking to and what they’re interested in. This is the basis of making a successful pitch.
Critical commentary and contextualisation of contemporary art exhibitions across the UK and beyond. Guest selected each month from the wealth of user-generated reviews uploaded to Interface. This month’s guest selector is Tom Hackett. You can read all the reviews in full at www.a-n.co.uk/interface
Contents include: This month, Emma Gelliot reports from the National Federation of Studio Providers AGM; Tom Hackett selects reviews from Edinburgh, London and Manchester;Â Andrew Bryant looks to Projects unedited blogs to consider the enduring question: Why be an artist?;Â In Collaborative […]
Artist, horticulturist and a-n Communications and partnerships team member Maggie Tran sowed the seeds of her practice through volunteering and event programming. As working life flourishes she takes us to the tip of her roots to tell the tale.
Peter Martin, Sheffield-based artist, and curator of the graduate show ‘Repercussions’ at The Old Market Gallery in Rotherham, talks to Richard Taylor about pulling together exhibitors from across the UK and producing a show representative of both physical and virtual research into 2011 degree shows.
We catch up with Clare Mills in the third year of her Fine Art degree at Norwich University College of the Arts, to talk about teaching and the printing process as it corrolates with researched subject matter.
Sam Firth is currently working on a year-long video project on a remote Scottish peninsula near her home on Knoydart, an isolated community of just over 100 people. She talks to Andrew Bryant about personal narrative, securing funding and recent media criticism attracted by her current project.
We catch up with Beth Webster, in her final year of her Fine Art degree at Lincoln University, and talk about the concept of beauty, histories of found-objects in art and the ‘spin’ of self in one’s practice.
PDF version [size 5.9 MB]. Requires PDF reader. This month: Alessandro Vincentelli selects texts by Tom Hackett, Kenn Taylor, Maru Rojas Cuahonte, David Minton, Iris Priest and Charlotte A Morgan; Rebecca Heald, Director of Bloomberg New Contemporaries spotlights Clare Maynard’s […]
Melinda Gibson, Photomontage XVI, (taken from pages 133,169,196), mixed media, 74.5x91mm, 2009-11.
As the UK’s financial situation continues to put pressure on our living and working patterns, the role and value of the artist in society comes increasingly into focus. Two national conferences are featured in this issue, Arts Council England’s annual […]
I have been reading with interest the debate in a-n about the development of “alternative art schools” (Research papers: Alternative art schools, Pippa Koszerek, 2011).
Pippa Koszerek and Eleonora Schinella consider relationships between artists, activism and social justice following the 2011 Triangle Network conference in London.
At the end of January, artists gathered at Islington Mill in Salford to burn their art works. This was the second Artists’ Bonfire, organised by artist Rosanne Robertson; the first took place in January 2011.
An exhibition of new work by Chien-Wei Chang at New Walk Museum & Art Gallery, Leicester, forms part of the national crafts initiative ‘the shape of things’.
Plunge, a new public art work by Michael Pinsky, imagines a time 1,000 years in the future when the effects of climate change have transformed the city of London.
DACS is spearheading research into how artists can make more income from their assets.
The report from the ACE/NESTA Digital R&D Fund for Arts and Culture has “uncovered a high demand from arts and cultural organisations to explore how digital technologies can expand their audience reach and enable new business models”.
Newcastle’s Side Gallery and Cumbria’s Lanternhouse are amongst organisations whose bids for Arts Council England’s National Portfolio Organisation status were not successful.
Despite numerous delays following its closure for renovation in 2010, The Photographers’ Gallery has announced that it will finally unveil its new home on Ramilles Street in Soho, central London on Saturday 19 May 2012 but still needs to raise £30,000 towards its goal.
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