Profile - Page 18 of 21 - a-n The Artists Information Company

Hayley Newman works performatively, producing live events, film, video and photography. Sally O’Reilly looks at how she investigates modes of documentation and the historical placement of the genre.

Nils Norman’s practice uses digital illustrations and architectural modelmaking to propose redevelopments of urban sites. Chris Hammonds finds out about his ‘multi-front economy’ based practice.

Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.

Jeni Walwin on the artistic achievements of Blast Theory, an internationally renowned artists’ group creating groundbreaking new forms of performance and interactive art that mixes audiences across the internet, live performance and digital broadcasting.

Chris Hammonds looks into Scott Myles practice and discusses how he has worked on self-initiated projects, developed work through residencies, and benefitted from commercial representation.

Lucy Wilson explores the development and expansion of Hidden Art, an initiative set-up by Dieneke Ferguson to promote the work of designer-makers in Hackney.

The Contemporary Art Society (CAS) supports the museum collection of contemporary art. Hugh Adams investigates the society’s aims and activities and offers advice on making an approach to CAS.

Rebecca Farley profiles the Starter studios programme and looks at how six of the scheme’s previous artists were able to develop their careers.

Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.

Despite graduating just two-and-a-half years ago, it is incredible how much metalsmith Junko Mori has managed to achieve in terms of reaching different markets and raising the profile for her work. In some ways she appears to be the very […]

Usually I’m on the move. I have a tendency to spend between two days and two weeks somewhere and then move on.

I relate to my work as moving still-drawings rather than animation or video.

Kerry Stewart finds time to talk about her professional development with Sally O’Reilly.

Since completing an MA in ceramics in 1998, I’ve worked with and in response to a diverse range of people, environments and themes.

I studied at London College of Printing and spent the subsequent decade attempting to master print as a medium.

Simon Morrissey cuts to the chase with Cornelia Parker and finds out how she has fought commercial pressures to follow her own artistic agenda.

My performances are not shown in public. I build objects that are not sculptures and I use photography for documentation without a second thought.

My work explores the boundaries between the physical body and the body of a site.

A few years ago I found a television in a skip.

My inspiration comes from the visual impact of an aggregate assembled with many small components.

I recently completed a public art commission for the new Library and Learning Centre at Leeds Metropolitan University.

For the last five years I have painted cowboys, explorers and criminals – men seeking liberation outside the laws and limits of society in dangerous, exhilarating places.