Profile - Page 20 of 21 - a-n The Artists Information Company

Exterior #3
Resource Profile

Noel Paine

Originally I was obsessed with painting from my imagination using the figure as the dominant subject.

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Captain Manby's Lifesaving Device and Shoes,
Resource Profile

Sue Ridge

My practice combines studio-based and commissioned work with teaching at Chelsea College of Art & Design.

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Love is in the air
Resource Profile

Lansley and Bendon

Curator and writer Michael Stanley talks to Jo Lansley and Helen Bendon about their career development.

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epidermis
Resource Profile

Elpida Hadzi-Vasileva

Coming from Macedonia, a country where sixty to seventy percent of the land is forest, the immediacy of nature is a significant element of my working practice.

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Untitled
Resource Profile

Richard Billingham

Richard Billingham took time out from preparations for the Turner Prize to discuss how he moved from an aspiring cash-strapped artist living in the heart of the Black Country to a celebrated artist of international acclaim.

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Ambassadress
Resource Profile

Kristen Mojsiewicz

I usually make a distinction between working collaboratively, as one third of Brass Art, and the work I make alone.

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The Audition Curtain & The Infinity Finder
Resource Profile

Sonia Boyce

Continuing our series on the career development of well-established artists, writer Roy Exley meets Sonia Boyce to discuss how she has steered her career from British Home Stores shop assistant to celebrated artist.

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Seville
Resource Profile

Joy Gregory

My practice is concerned with social and political issues; the visual language I use resides within a traditional aesthetic of truth and beauty.

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Bird Box
Resource Profile

Michael Forbes

As an artist-photographer my work is broad and covers many genres of photographic imagery.

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Victorian Philanthropist's Parlour
Resource Profile

Yinka Shonibare

In the second of a series of articles focusing on the career development of well-established artists, Lucy Wilson meets Yinka Shonibare.

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Mary Kirk
Resource Profile

Mary Kirk

My art practice is focused on the process of making, and with my involvement in that process.

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dowr/yntr/tus
Resource Profile

Dominic Thomas

The concept of location has always been central to my practice – as subject matter, a source of materials, and as a context for the production and presentation of my work.

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Work in Progress
Resource Profile

Zarina Bhimji

My past projects led me to reflect on the fact that commissions were affecting the way I made work, I felt that I needed to work without deadlines or commission agendas.

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The Interrogators' Garden
Resource Profile

Paula Rego

In the first of a series of articles focusing on the career development of well-established artists, Emma Safe meets Paula Rego to discover how she has steered her career to such celebrity.

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Bench in Terrazzo
Resource Profile

Taslim Martin

My creative output ranges from figurative sculpture to furniture design, and I enjoy being more than just one kind of artist.

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untitled drawing
Resource Profile

Laurence Ward

Laurence Ward, artist-in-residence for the Community Arts Project (CAP), Darlington shares his experience of working with adults with learning disabilities and how this has enhanced his own practice.

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Found/Lime Green
Resource Profile

Varvara Shavrova

I have been painting for over fifteen years, and I always feel there is something new around the corner, waiting to be discovered.

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Swansea Divisional Police headquarters
Resource Profile

Sonia Hawking

There is no doubt that glass changes the space that surrounds us every day.

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In conversation
Resource Profile

Beverley Hood

My work explores representations of physicality and the relationship between physical and virtual space.

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Kira O'Reilly
Resource Profile

Kira O’Reilly

Kira O’Reilly is the latest in a long line of female practitioners to investigate issues surrounding representation of the body and gender via that most direct tool of the artist’s palette: performance art. Below she writes about the principle concerns of her practice, whilst also assessing suitable contexts for the mediation of such work.

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