More News In Brief: Melissa McGill’s blood red regattas aim to remind Venice Biennale visitors of environmental threat to city; artists and designers from north-east Scotland selected for Aberdeen’s Look Again Art Weekender 2019; plus Trump temporarily reopens government but impact on cultural institutions remains unclear.
Robert Leckie moved to Bristol’s Spike Island earlier this year after nearly a decade at Gasworks in London. He looks back with pride on an exciting and eventful 2018.
Bristol-based institution is third recipient of £100,000 award designed to enable regional arts organisations to present large-scale exhibitions by mid-career female artists.
Dear all, three members of a-n network are an art exhibition that ends on Wednesday, 11th July (poster attached). We were wondering if someone would be interested in writing us a review after visiting the exhibition? Please drop me a […]
Written by Artangel’s James Lingwood and Henry Moore Foundation director Godfrey Worsdale, the just published ACE-commissioned report followed last June’s ACE NPO announcement which saw Bristol’s Arnolfini and Situations lose their funding.
Commissioned by ACE following the June 2017 NPO round in which both Arnolfini and Situations were dropped from national portfolio funding.
A group of artists in Bristol has coordinated a united front in the face of an Arts Council England visual arts review in which they feel they weren’t offered an equal seat at the table. They outline their intervention in a recent public consultation event while proposing a new approach for the city’s art ecology.
A selection of exhibition highlights for the week ahead including the Zabludowicz Collection’s 2017 Annual Commission and Christian Nyampeta’s film work at Camden Arts Centre.
The recent Artist Hotel event organised by Bristol’s Knowle West Media Centre involved an overnight stay in a community centre as part of a wide-ranging discussion about community art and artist-led regeneration. Rowan Lear reports.
The founder and director of Bristol-based public art producer Situations has been appointed director of Arnolfini gallery.
The latest in Sarah Bodman’s series looking at the varied and fascinating area of artists’ self-publishing looks at a special ‘passport’ stamp project, part of the 10th anniversary edition of the Bristol Artists’ Book Event.
Inspired by earlier Street Bits. Below is a day I spent walking in Bristol where I left 24 paintings on cardboard and plywood around various parts of the city.
