In an effort to begin understanding the internal workings and overlapping operations of each department, I will be spending a bit of time shadowing staff throughout the Ritherdon factory. First on the agenda is the ‘Paint shop’, which predominantly […]
I cannot express the benefits of sharing practice and space with artists whose main discipline is different from my own. Taking myself out of the context of the UK to consolidate my own methodologies was needed to further enhance my […]
While excavating for movement, we cannot underestimate the history that lies inside muscles and bones. The heavy breath drawing down our diaphragm, that constant pressure to assimilate leaving thick February fog shape hopelessness in the gravity of ribs. On a […]
What I’ve grown to love about vogue femme is how it is unashamedly bold, fierce, sensual, unapologetic. It allows me to access my femininity in a way that feels less cumbersome. It’s a femininity for me and not for the […]
A week-long residency in New York with choreographer Kristopher Pourzal exploring movement, Queerness, resistance & Race as a context to heal through movement.
In addition to utilizing OCAD U’s studio and emphasizing our approach to contemporary practice, this programming will also include a significant amount of community immersion, including the opportunity to engage with local practitioners .
Imagine the beautiful artwork you’ll make Florence, Italy -with a bonus trip to the Venice Biennale!
This one-week intensive program is based at OCAD U’s Florence campus studios and on-site at various key locations in the art and design community in Florence.
v I have Returned to Ritherdon! All the catching up, calendar sharing and phase one sounding out is now complete! Here are a few initial points of focus: Lean Manufacturing Philosopy- what is it and how is it put into […]
An artist residency at manufacturer Ritherdon & Co Ltd, taking place between Feb 2019 – Aug 2020. A development from an Art in Manufacturing 2 residency for the National Festival of Making 2018. Supported using public funding by the National Lottery through Arts Council England.
Off grid artist’s residency in the beautiful Elan Valley, near Rhayader, Powys, Wales.
Visual Arts in Rural Communities hosts residencies in the remote hill-farming area of Tarset in Northumberland. In August 2018, the organisation piloted its first residency for a disabled artist. Lydia Ashman speaks to Project Director Janet Ross and artist, curator and disability advocate Aidan Moesby about the development of the pilot and its impact on the organisation’s programme.
Based in Wakefield, visual arts development agency The Art House continually explores ways to work with artists who face barriers to their practice. Its residency programme supports artists at different stages of their career and is shaped around individuals’ needs. Lydia Ashman speaks to Programme Producer Simon Boase and artist Rosanne Robertson about the tailored support the organisation provides to artists.
Who’d have thought it would be so difficult to make more art? The problem arises when scale and ambition outgrow workspace. So my NYR#1: Make More Art! starts with a concerted effort to find bigger spaces to work in during […]
SUNDAY 13 JANUARY 2019 Got up, packed, wrote a secret thank you note for my hosts to find after I’ve gone which I left in my room (I wonder if they’ve found it yet?), and went downstairs for breakfast. David […]
SATURDAY 12 JANUARY 2019 I went downstairs on Saturday morning to find this spread that Lily had laid out that would make any B&B proud – pot of tea, croissants, fruit, yoghurts, jams, mini packs of cereal in a bowl… […]
FRIDAY 11 JANUARY 2019 I was at work all day that day – facilitating an art group in the morning and then in the office during the afternoon. I left work to embark the hour and a bit drive to […]
How do I even begin to explain? Honestly. Last weekend (11-13 January 2019) I officially began my UNION journey. I’ve been looking forward to it starting for ages even though I wasn’t sure to expect in the slightest. The first […]
I have resisted bronze until now, worrying about the weight of history it carries and the fact it is so often overused – an automatic ‘go-to’ to add perceived value, whether or not the material is appropriate or needed. But […]
Plain bronze colour is pale pink to yellow, depending on the type of bronze used. A patina is simply a dye or chemical reaction added, with heat, to the surface to change the colour. It is then sealed with a […]
I wanted to cast a sim card as part of my thinking about data and how the objects and memory is stored. A bit tricky but one worked.
