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  • Ambiguous, Inert and Obscure
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  • April 2015 (3)
  • 28 April 15

    Ambiguous, Inert and Obscure

    A blog that will follow my practice starting from my final submission of second year at Northumbria University and finishing at my final year degree show.
    • ambiguous
    • Colour
    • Contemporary Art
    • dead
    • Degree Show
    • inert
    • Northumbria University
    • obscure
    • Painting
    • pigment
    • plaster
    • Sculpture
    • student

    0 Comments
    28 April 15

    Year 2 Final Install: Wide Open

    • ambiguous
    • Colour
    • Contemporary Art
    • dead
    • Degree Show
    • inert
    • Northumbria University
    • obscure
    • Painting
    • pigment
    • plaster
    • Sculpture
    • student
    Jacob Sheader

    0 0

    0 Comments
    28 April 15

    Year 2 Final Install: Nudist Beach

    • ambiguous
    • Colour
    • Contemporary Art
    • dead
    • Degree Show
    • inert
    • Northumbria University
    • obscure
    • Painting
    • pigment
    • plaster
    • Sculpture
    • student
    Jacob Sheader

    0 0

    0 Comments
    28 April 15

    Year 2 Final Install: Strong Yellow

    • ambiguous
    • Colour
    • Contemporary Art
    • dead
    • Degree Show
    • inert
    • Northumbria University
    • obscure
    • Painting
    • pigment
    • plaster
    • Sculpture
    • student
    Jacob Sheader

    0 0

    0 Comments
    Jacob Sheader

    Initially from East Yorkshire I am currently studying a BA Hons in Sculpture at Northumbria University (2013-2016). It is the emphatic and obscure which influences Jacob Sheader’s practice. He employs the audience to become ambiguous as they navigate and create dialogues with his work. The constructions imply an anxiety for the viewer because of their unrecognisable forms; which converge with Sheader’s confident application of plaster over structural materials (timber carcassing, mesh and steel). This durable and robust body of the work pushes itself to adopt monolithic qualities. The use of pigment in Sheader’s work poses meaning and requests a deeper consideration to context. The juxtaposition of colour with form and material produces arresting, indistinct and inert compositions which allows his sculptures and paintings to function as a testimony to physicality, obscurity and ambiguity.

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