I read this great quote about the power of stories the other day from Shami Chakrabarti,  who was talking in an interview  about a biography of Eleanor Marx

She says

“My career has been about being a grim and worthy lawyer and political campaigner, but I always thought that it would be stories that shaped the narrative, the campaigns and the agendas. This book proves my point. I believe more people will be moved politically, women in particular, by reading Eleanor’s story, than by reading a thousand Comment pieces from me about how our rights and freedoms are important, and how internationalism is important, how feminism is important.
….We’re storytelling creatures. It’s Aesop’s Fables and fairy tales. This is how we listen and how we learn. And the great political campaigners are those doing storytelling. In the modern world everything goes into silos: we have fact and we have fiction, politics and the arts, it all gets compartmentalized, but actually we are a bunch of relatively basic creatures who want to sit around the camp fire with a drum listening to stories. It’s not about facts, but progress and our values.

In a week of sometimes overwhelming impotence, rage and despair at world events – the Uk’s decision to go to bomb Irag yet again,  propaganda and the   misrepresentation of truth in the media,   the proposed scrapping of the Human Rights Act  and the government asset stripping of our NHS  reading this was a tiny beacon.

All week I’ve been thinking

What can little I/we do in the face of this? How should I be spending my energy? Direct action? Lobbying? Demonstrating? Is what I do as an artist of any use?

After reading the Chami’s comments I was reminded of Rebecca Solnit’s wonderful book The Faraway Nearby which is a kind of anti-memoir, about, among other things family, stories, empathy and activism. I read it a few weeks ago, in the space of a day. I felt like she was talking directly to me, and I wrote so many passages down that I may as well have photocopied the whole book. Solnit talks about us as being ‘leaky vessels’- (http://www.goodreads.com/quotes/847270-listen-you-are-not-yourself-you-are-crowds-of-others), our identities are made of stories –  past present, real, fictional  – which are continually being made, and remade, according to our needs.

“Stories migrate, meanings migrate, everything metamorphoses’

Solnit  also talks about storytelling as a means to understand and feel our connections with others, to expand the boundaries of the self.  Empathy, in other words. My favourite writer, the late David foster Wallace,  says fiction gives us an opportunity to “jump over the wall of self and inhabit somebody else.”

Back to Solnit:

“Empathy, solidarity, allegiance – the nerves that run out into the world – expand the self beyond its physical bounds”

I think about the Coffee Morning group I’ve been working with at Midland Road Nursery School in Bradford, a group of mothers who meet every Thursday. The group, who mostly live in close proximity to each other in Manningham, has been going for a couple of years and in that time they  become a very strong community. They talk all the time on whatsapp, they go shopping together and out for lunch, they do fund-raising projects together.  They are one of the liveliest groups I’ve ever met, with a  strong group identity, pride and sense of belonging.  Being in their presence is like being in a bright full sun – I leave feeling warm, dazzled,  and a bit giddy and befuddled.  On Thursday, as we made instant books together, I listened to their banter and stories  -plans for Eid,  what they were going to cook and bring round to each other’s houses to share.   A beautiful, strong thing, this sense of belonging, community, ‘us’.

The power of  stories, strengthening us as individuals and groups. Creating space to share these – over the making of a zine or a collage or a cup of tea – to make the ‘I’ a ‘we’ –  a powerful thing.


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An intense, overwhelming summer,  good and bad, in which being has been enough, no time or energy to blog. I’ve missed my a-n fellow bloggers and friends, the support and conversation I get here, so I’m back after almost 6 months away.

Here’s a few things that happened over the past few months.

I did a two week residency at a stall in Oastler Market in Bradford in July, exploring connections between the ‘I and and ‘we’ . Being at the market blew my mind in so many ways I’ve still yet to know and can’t yet fully express. It takes me a long time to reflect and articulate things sometimes and this experience was so rich. In short, I learnt a lot . Maybe in the coming weeks I can write more and my blogging brain returns (here’s hoping)  but for now here is a link to the  microblog I did during the period of the residency  (http://wuratoastlermarket.wordpress.com/) which might help to give a flavour.  I also  produced a zine of collected responses – if you’d like a free copy email me and I’ll send you one  – [email protected]

I got tired. I took a few weeks off doing anything art related and just did the part time catering job, and watched some very bad TV.

I applied for a Leverhulme residency to work with the International Centre for Participation Studies (http://www.bradford.ac.uk/research/our-research/research-in-schools/school-of-social-and-international-studies/research-expertise/politics-and-international-studies/icps/) at Bradford University. Putting the application together with the staff there, talking and planning how we could work together has been an inspiring experience – I really really hope I get the opportunity to work with them. Have to wait to December to find out. Keep your fingers crossed for me!

I got fully immersed in the campaign for Scottish independence  – like thousands I hoped (and still do) that independence would take us a step towards a better, fairer Scotland. I wallowed in despair at the result. Family came down from Glasgow (I live in Bradford) and we drowned our sorrows. It’s heartbreaking but I’m trying to  see the very significant positives – the birth of a huge grassroots movement of Scottish people who have become politicised and are not going away. I’m following the post referendum discussions and actions with great interest,  particularly the Common Weal, whose imagination and practical ideas for creating a better Scotland – “All of Us First”   have inspired me and many others – here is an article written by Commonweal member Robin McAlpine just a day after the referendum – http://bellacaledonia.org.uk/2014/09/19/wipe-your-eyes-on-your-feet/

This week I lead a session on ‘Artful Activism’ with a group of Bradford activists. We made a collaborative zine together,  everyone making a page responding to themes of power and change. Talking to these thoughtful passionate people (who are involved in a wide range of local and global activist activities), and also seeing their contributions has galvanised me and given me a much needed kick up the backside. I need to stop with the navel gazing and get involved with what’s going on around me. As Jo, a 17 year old climate change activist said to me, there’s so much work to do.

I thought now might be a good time to resurrect MAKE UGLY BEAUTIFUL, an online participatory photography project I started a couple of years ago. It’s a simple project, done on Facebook, and it’s open to everyone. Already lots of people have made photographs.They seem to be acts hope and imagination – https://www.facebook.com/groups/318865774831293/?fref=ts.

Would you like to get involved? We could all use some more hope.

“Make or write the words MAKE UGLY BEAUTIFUL wherever and however it makes sense for you to do so. Write them, type them, draw them. Scribbled in a notebook. Chalked on the pavement or a park bench. Written them in condensation on a window. Make a badge out of them. Write them at home, work, out and about. Wherever and however it is meaningful to you.
Take a photo of your action.  Upload your image to the Facebook group here https://www.facebook.com/groups/318865774831293/?fref=ts. Together we might MAKE UGLY BEAUTIFUL; by transforming our minds, lives and environment through creative actions.”


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I’m Jean McEwan, said an elderly Bradfordian lady. Me too I said. We laughed. She had seen my name outside the temporary exhibition space in the market and wanted to come in and see what what was happening. My daughter won’t believe this, she said.

I don’t even know what half these words mean, said a man pointing at the printed explanatory text for my installation on the outside of the space. He seemed annoyed. I invited him to come in for a look. What’s all this then. He looked at the blown up posters of family photographs on the wall and told me about his parents and his childhood. It was sad. He lost the only photo he had of his mum who has long since passed. He came out every day for a walk round because he knew it wasn’t good for him to be sat at home all day on his own. Being lonely – often times he’s liked being on his own but more lately he could feel it being bad for him so he makes himself get out. I showed him all the bits and pieces, the photos in the boxes, mini sets, collages. I showed him the magic with the mini light and the photograph cards on acetate – how they make a moving image on the back of the card. We messed around a bit with putting actetates and objects on the overhead projector. You’re one of these that can’t sit down aren’t you. Yes, I said. He laughed. That moment was good, for me. It seemed like, there was a recognition, a spark of something in common. Or was that just me? See you later love. He left just as abruptly as he came.

My day in Oastler Market in Bradford last week as part of Dark Matter Institute arts programme for Art in Unusual Spaces (http://www.yvonnecarmichael.com/tlmc/index.php?/dm…) for Threadfest (http://bradfordthreadfest.com/) was such a great experience. I loved being in the market. The energy, the people, the smells, the noise. I knew after just a couple of hours there I wanted to return and have more of these kinds of interactions. The space the temporary exhibition took place in is programmed by Bradford Council in partnership with Bradford Markets – so I’ve been able to book it through the Arts Engagement Officer at the council this week and I have two weeks there in July. I’m very excited about the possibilities, though I need to take some time out though to think things through. Where is the project (WE ARE ALIVE AGAIN: http://jeanmcewan.com/we-are-alive-again/) going now?

What do I want to do with it? Who with? How? Why?

I’ve been doing a lot of different things lately. It’s variously been overwhelming/exhilirating/exhausting/joyous. I did some live overhead projector visuals for a friend’s experimental music set at Fuse Art Space (http://wearefuse.co/) the other week – I was nervous as I hadn’t practiced, but it was a riot. I’ve been collaborating on a film poem commission for the first Laugharne Poetry and Film Festival (http://laugharnepoetryfilm.com/) with my brother Brian – the first video work I’ve done for a while. The deadline was short but a synergy happened (as always when we work together) and we have a film we love.
This week I’m going to interview Bradford Metropolitan Foodbank (http://bradfordfoodbank.com/) this week for Wurblog (http://wurblog.wordpress.com/). Since I got back from America last month, I’ve been feeling that I need to push my practice outwards – to develop conversations with a wider range of people from different backgrounds/disciplines/experiences beyond the artworld. The nagging feeling that I’ve been staying too comfortable – that if my art is really a social practice and social change is part of that then that ‘social’ needs to continue expanding. Doing the interview (and hopefully others to come) is a part of this.

Some good reading lately:

Colouring In Culture:a blog about participation in the arts‘ by Stephen Pritchard (whom I found on twitter @etiennelefleur) http://colouringinculture.wordpress.com/

Also the website for ‘Open Engagement‘, a recent conference in NY on art and social practice, especially the daily blogs (100 posts over a hundred days in response to a different question each day) which have been excellent http://openengagement.info/home/archives/category/…


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