Hello, I’m Pernilla Iggstrom, a Swedish Korean artist and curator based in Brentwood, Essex. Here in this space, I’m delighted to share the progress of a very special project I’ve co-founded and am co-curating called BRIDGE and will be writing […]
Earlier this year, a cohort of curators took part in a-n Curator Bursaries: Exploring Northern Ireland 2024. Designed to encourage UK-wide exchange and collaboration, the trip connected curators with artists and colleagues in Belfast and Derry~Londonderry, opening opportunities for talent […]
Two fantastically productive, inspirational, and enjoyable days with Elena Thomas here at the studios. We really got into our stride on day two – making something that existed between our individual practices. Day one was more mapping and testing … […]
I’ve come away from Sweden with a profound sense of clarity about who I am and what I should be doing, and feeling grateful that I can do it. It wasn’t without its difficulties and obstacles. I must say up […]
Remember the scene in Close Encounters of the Third Kind, when they rig up a helicopter with banks of lights and speakers and send it up to communicate with the mother ship? Bah bah bah baaah BAAAAH! KABOOOM!! That’s what […]
The National Center for Art Research (abbreviation: NCAR; director: Kataoka Mami) implements the “Artist Support Program” with the goal of enhancing the international reputation of the Japanese contemporary art.
Hosted by Stuart Mayes and Glitterball Showroom. This residency took place at Ateljeföreningen Hospitalet, Uppsala, Sweden from 12th to 16th June 2024 I took with me a bundle of the wrapped twigs from Five, Six, Pick up Sticks, and a […]
Hi, is anyone else aware and concerned about Meta’s new privacy policy? I was alerted by the Professional Artist Association that as of 26th June 2024 Meta “will now be taking advantage of user data for AI training purposes including […]