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Bryony Bond started 2016 with a move across the Pennines from The Whitworth in Manchester to The Tetley, Leeds. She looks back on a year of “new starts”.

As part of their Bank Job project in Walthamstow, Hilary Powell and Dan Edelstyn have printed ‘money’ and bonds as a way to write off personal debt in the community. Artist Alistair Gentry, who has been involved in the initiative, talks to them as they prepare for a symbolic ‘Big Bang’ event in the City.

The £4.5million gallery space designed by Turner Prize-winning architects Assemble opens to the public on Saturday in a redeveloped Grade-II listed building in New Cross, south London. Jack Hutchinson takes a tour of the gallery’s inaugural Mika Rottenberg exhibition and talks to director Sarah McCrory.

The tenth edition of the Liverpool Biennial has just opened with its theme ‘Beautiful world, where are you?’ offered as a chance to reflect upon global uncertainty and change. Bob Dickinson reports from the opening weekend when, amid news of Trump’s visit to the UK and the protracted Brexit negotiations, the notion of a world in social, political and economic turmoil seemed especially pertinent.

Jean McEwan is this month’s featured artist member on a-n’s Instagram. Richard Taylor talks to the Bradford-based artist about collaboration, the richness of sustained community work, walking, and much more.

This year’s Engage International Conference took place in Hull and was titled ‘The Whole Picture: Rethinking Diversity’. Hull-based artist Paul Collinson reports from the two-day event.

For her Venice Biennale film, Spite Your Face, Scottish artist Rachel Maclean has created a re-working of the Pinnocchio story that explores power, political lies and the rise of populism. Moira Jeffrey talks to her about the themes and form of the work.

As a-n launches its dedicated coaching accreditation programme for the visual arts, Pippa Koszerek speaks to the four artists who tested the waters in 2016.

Serf, the latest addition to Leeds’ expanding workspace scene, offers much more than studio space for artists – it provides a support structure for early career artists at a crucial time in their development. Lara Eggleton reports.

Now in its second year, the Residency for Artists on Hiatus seeks to free its participants from the pressures of the ‘capital A art world’ by providing space for artists to not make art. Michaela Nettell finds out more.

Unlike many international art biennials, Liverpool Biennial has deep roots in its host city’s contemporary art scene. As the festival reaches an intriguing point in its 13-year history, with a new director and considerably reduced budget, we assess its importance to the city’s visual arts infrastructure.