In 2015, Scottish artist Paul McDevitt set up Farbvision, a project space in Berlin’s Prenzlauer Berg district that presents solo exhibitions and is also home to the INFINITE GREYSCALE record label. He talks to Dan Thompson about his reasons for relocating from the UK, and the artistic freedom and financial reality of life in his adopted home.
Resources - Page 4 of 170 - a-n The Artists Information Company
The annual guide captures the buzz and excitement around degrees season with a wide range of content, listings and adverts for shows across the UK. Includes an interview with conceptual artist Ryan Gander, plus ‘Class of 2018’ final-year students give an honest assessment of their experiences, working processes and hopes for their degree shows. Available on issuu and as downloadable pdf.
In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.
Nine artists share their stories and advice on how to make the most of moving your home and practice to a new location. In this follow up to Dan Thompson’s guide to relocating, artists working across a range of practice areas discuss how they found new networks, refuelled their practice and sought out support mechanisms following a move.
In the first part of her Negotiating with confidence guide, Rivca Rubin, a trainer-facilitator-mediator, coach and mentor, discusses how structure, attitude, and the ‘power of words’ can facilitate successful negotiations.
In the second part of her guide to negotiations, Rivca Rubin discusses how through active language choices, we can create more satisfied and invigorated negotiations with galleries, organisations and commissioners.
Guidance for organisations on how to shape policy statements on Exhibition Payment. Produced in support of a-n/AIR’s Exhibition Payment Guide, which calls for organisations to be transparent in their working practices with artists by publishing clear and transparent payment information.
Contemporary Arts Programme Manager at the National Trust Grace Davies explores the benefits to non-arts organisations of commissioning artists outside of traditional gallery spaces, and offers some top tips for artists to consider when making an application.
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
Analysis of data drawn from a-n’s Jobs and opps site over the calendar year of 2016 along with commentary on the current conditions for artists’ practice in the UK.
Founded by a group of artists in south west London as a studio space in 1994, Studio Voltaire currently operates under a multiplicity of different guises. Art researchers Doggerland reflect on the organisation’s hybrid structure, and speak to its head of development and communications Niamh Conneely about the many different modes Studio Voltaire employs to support artists’ careers.
Based in Birmingham’s growing cultural quarter Digbeth, Recent Activity seeks to contribute to the area’s artist-led scene without replicating the activity of its more established spaces. Art researchers Doggerland speak to one of the organisation’s founders Andrew Gillespie about working within manageable parameters to offer “something a bit different” to the area.
Writer and researcher François Matarasso reports on the impact of a week-long pilot lab that offered six early career artists, aged over 50, time to explore how creativity can be nourished and how artists can challenge themselves to develop.
In this motivational and practical guide, artist parents share their top tips and survival strategies for maintaining and developing an art practice whilst raising children.
Following on from a survey in July 2016 just after the EU referendum, we surveyed our members again one year on to continue to assess the ongoing impact of Brexit. Based on c1,200 survey responses, key headlines are summarised in this briefing paper.
In July 2016 we surveyed our members to begin to ascertain the depth of impact of the EU referendum leave vote on a-n membership. Key findings are summarised in this briefing paper.
As an artist or freelancer working (on a paid or voluntary basis) in certain environments – such as running workshops in schools or with vulnerable adults – requires you to undertake a check by the Disclosure and Barring Service (DBS). Educator Sarah Blaszczok explains why a DBS check is needed, how to get one, and the costs involved.
A psychogeographic opening up of the city through an aural tour of artist-led venues and other listening points of historical and cultural interest.
Morgan Quaintance’ documentary explores Cubitt studios, Cubitt gallery and Cubitt education, taking a look at the history and present of the London-based organisation, its previous curators, artists and others who have been involved, as well as glimpsing into its possible future.
Kevin Hunt compiles a list of both online and in print reading material about the artist-led sector, as a supplement to his essay People like us and the new Artist-Led Hot 100 (version ii).
Kevin Hunt has created a new Artist-Led Hot 100 to celebrate some of the most exciting artist-led activity that has emerged during the past four years, since his original Hot 100 long-list was produced in Summer 2013. Focusing on projects that are “by artists, for artists”, the list highlights artist-led initiatives around the UK that are visibly active right now.
Kevin Hunt explores the nature of temporariness and expiration, morphing and longevity in artist-led initiatives. Written to coincide with the launch of the Artist-Led Hot 100 (version ii) and Assembly Liverpool, May 2017.
Juan Bolivar, an artist and curator, explores the history and practice of curating, and provides ten key questions for independent curators and artists to help guide you in developing your first exhibitions. Bolivar’s painting practice runs parallel to his curating practice; first initiating TRAILER (2001-05) – an artist collective utilising temporary locations to stage exhibitions – and since, going on to curate over 40 exhibitions as an independent curator.
The perfect degree show season companion. Includes an in-depth introductory interview with Elizabeth Price, listings of more than 70 shows across the UK, plus contributions from Christine Borland, Nicolas Deshayes, Laura Oldfield Ford and many more practising artists and final-year students. Available on issuu and as downloadable pdf.
Hen Norton explores the use of fundraising platforms online and offers her top ten tips to help you build a sustainable creative business or project, and reach a wider and more engaged network of supporters through crowdfunding.