Reviews - Page 18 of 98 - a-n The Artists Information Company

Review

KAZEMIR MALEVICH

Travelling home from visiting the new Malevich exhibition at the Tate Modern today I am trying to understand why I have been so much more impressed with this show than the Matisse cut-outs that have been so highly praised recently? […]

0 0
Review

I’d still like to see the Governor…

  August 28 – August 30, 11.00-19.30 August 31 – September 4, 11.00-17.00    I’d still like to see the Governor… takes place at Brewery Tap (UCA’s Project space) in conjunction with the Folkestone Triennial. This is the second opportunity […]

0 0
Review

Axolotl

The first in a series of independently curated group exhibitions during Liverpool Biennial, Axolotl has an abundance of connotations, within the press release we are teased with curious narratives

0 0
Review

After Dark – IK Prize 2014

Its ten o’clock, Wednesday 13th August, 2014 – armed eventually with an up to date Google Chrome and an Internet Explorer tab open in reserve it can mean one thing only. The 2014 IK Prize winning project has landed. Welcome […]

0 0
Review

CURRENTS – YANN SEZNEC

Currents has been commissioned by Edinburgh Art Festival, and is the work of Artist and musician Yann Seznec. Produced by Suzy Glass using computer fans donated by Computers for Charities the piece re-appropriates previously discarded technology into an essentially recycled […]

0 0
Review

Horizon

In ‘Horizon,’ a choreographed walk by artist Caroline Wendling for Cley 14, the walkers inhabit and become the horizon, reflecting the landscape; changing it from a line into a collective action.

0 0
Review

Artist Daisy Delaney Brings A Forgotten Liver Bird Home to Roost

100 Liver Birds have recently appeared on the streets of the city of Liverpool. These ghostly white birds, created by artist Daisy Delaney for the Liverpool Biennial, are subtle interventions blending into their grey urban surroundings. Occasionally their reflective surfaces […]

0 1
Review

Xavier White’s Full Circle

Xavier White’s Full Circle, a glass art exhibition ORTUS Learning and Events Centre, The Maudsley Hospital, 82-96 Grove Lane, Camberwell, SE5 8SN 16 July – 26 September 2014   With its spacious atrium and glass ceiling reaching up to the […]

0 0
Review

GUSTAV METZGER: LIFT OFF!

Gustav Metzger: Lift Off! Is both a homecoming and retrospective exhibition for the artist which is currently being held at Kettle’s Yard, Cambridge. Across the exhibition space Metzger’s creative activism and symbiosis with science is captured in a space housing […]

0 0
Review

Marina Abramović:512 Hours

I so admire the work of Marina Abramović and had done my best to avoid reading about her endurance piece over 64 days at the Serpentine before I went so that I could experience it with fresh eyes. I was […]

0 1
Review

Ursula von Rydingsvard

A hitherto unrepresented artist in the UK, von Rydingsvard is newly re-presented by a survey show at YSP through sculptures of all scales. Hers are deeply physical sculptures that make no attempt to hide their laborious and quasi-ritualistic construction. The […]

0 2
Review

Ben Hanley

Childrens (and grown-ups) candid camera photographer www.ohanley.co.uk at @Elsie’s_Place

0 0
Review

Book Launch

A fabulously nonsensical launch of The Owl and the Pussy-cat and the Turtles of Fun, a new book containing Matt Black’s Prequel and Sequel to Edward Lear’s famous poem, illustrated by Pip Hall, the evening accompanied by Jonny Fill’s Nonsense Orchestra.

0 0
Review

The Human Factor

Aside from a few decades in the middle of the twentieth century when abstraction and minimalism ruled and anything vaguely figurative was pointedly ignored by the art world, the human figure has been the most timelessly familiar and most frequently […]

0 0
Alex Gene Morrison 'Forest (with inverted symbols)', 2014
Review

Alex Gene Morrison: Same As It Ever Was

The woods don’t look welcoming. Straying off the path, if you can find one, would probably lead you into trouble. The trees look dead, bare branches in the brownish murk. If we went in, what might we find? A scary […]

0 0