Broomhill Art Hotel & Sculpture Foundation - a-n The Artists Information Company

Blog Post

Rhythm, volume, line

A view of my hell kitchen, where life is infused into a future goddess. The work is intense, but I’m happy how the piece for the Broomhill National Sculpture Prize is coming along. Adding material and filing back to find […]

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Blog Post

Sponsorship from Notcutt

A huge thank you to Andrew Hill, director of Notcutt who have agreed to sponsor my piece by providing a large amount of the Jesmonite products, that will cover the core structure (Jesmonite components, quadaxial fibreglass matting, pigments, sealer). W […]

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Blog Post

A glimpse towards the future

I went to see my sponsor yesterday, CNC Polystyrene, to see how they were getting on with the milling of my sculpture. What do you want first, the good news or the bad news? Good news is, half the figure […]

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Blog Post

From Model to Final Sculpture. Part Two

Finishes. While I’m waiting for my polystyrene to come I think about the next stages. I have chosen the outer material to be Jesmonite, because it is water based and far less toxic then fibreglass. Because I can work it […]

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Blog Post

From Model to Final Sculpture. Part One

A two months production time, from a project on paper to 230 cm high outside sculpture, is agreeable a very short time. Fortunately, we can make use of modern technology to take a shortcut to the traditional process of creating […]

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Blog Post

From drawing to model

The drawing stage is followed by the model making. Loads. This stage helps to solve formal issues and to understand the technical challenges. It’s easier to solve these on a small scale !

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Blog Post

From found object to metamorphosis

Hello, I’m back. I had to concentrate on another project last week, but which does not mean that the Broomhill project remained idle. A lot of things happened. So lets start from the beginning as I promised to illustrate the […]

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Blog Post

Finding objects

About Finding objects Or do objects find us? I am interested in making visible what I sense to be present behind the surface appearance of things, by going past the obvious. Influenced by my upbringing on a farm in Germany […]

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