The £110million project is to be built on the former Granada Studios site, with Manchester International Festival announced as operator of the new ‘flagship’ cultural venue.
Built in 1971 and all but abandoned by the cash-strapped local council in 2013, Turnpike Gallery in the former mining town of Leigh near Wigan, is entering a new stage in its history with the creation of a community interest company to run its programme. Natalie Bradbury speaks to arts manager Helen Stalker as the gallery relaunches with the Jerwood Drawing Prize touring exhibition.
The current director of Whitworth Art Gallery and Manchester Art Galleries is expected to take the top job at Tate.
Five a-n News writers – based in London, Birmingham and Glasgow – pick, in no particular order, their top five exhibitions of the year.
What makes a city an art market centre? Hosted by The Manchester Contemporary in September 2016, the Fair Cities symposium brought together a number of speakers to discuss the ecologies and infrastructure of developed art markets in the key cities of Basel, Brussels and London. As a partner in the event, a-n captured the insights of these international art world professionals to produce a new set of video resources.
New festival artistic director John McGrath announces a snapshot of the 2017 programme, which includes new commissions by prominent visual artists.
Arts Council England’s current Relationship Manager for Visual Arts to take over from Kwong Lee as Director of Castlefield Gallery in January 2017.
Coming ten months into PAPER Gallery’s year-long mentoring scheme Tracing PAPER, a new exhibition showcases the work of the nine artists involved. Polly Checkland Harding talks to the gallery’s director and two of the artists involved in the scheme.
Art world professionals will be sharing their insights on what makes a city an art market centre at the Fair Cities panel discussion, part of The Manchester Contemporary art fair.
The latest project in Castlefield Gallery’s New Art Spaces programme sees a former 1960s office block in the centre of Bolton turned into a temporary work/gallery/studio space for artists. Sara Jaspan takes a look.
The Salford-based artist Maurice Carlin hopes to use his time as the first-ever Clore Visual Artist Fellow to, among other things, “change perceptions… of what it means to be an artist”. He shares his thoughts on the fellowship, its personal and wider significance, and why artists – and the artist-led sector in particular – need to recognise the importance of good leadership.
Kwong Lee, director of Manchester’s Castlefield Gallery, is to leave the role in November after nearly 11 years in charge.
On our way back home we stayed one more night in Helsinki that gave me a chance to catch up with my artist mother friend Anna Puhakka and a research visit to HIAP Helsinki International Arts Programme located on […]
Salford-based artist Maurice Carlin announced Clore Visual Artist Fellow supported by a-n, as the prestigious leadership development programme reveals its fellows for 2016/17.
Sorry for slow uplod of blogs which my guest are here but our agenda for the 2 weeks in Manchester was intense and productive. Once word had got around most of my media friends wanted to meet Råfilm Collective members, […]
A new series of podcasts from artist-run Manifest Arts provides interviews with artists and arts organisers in the North West of England.
As the search continues for a new home to house Rogue Artists’ Studios, Bob Dickinson visits a show of work by 11 of the building’s 100-plus artists and asks where next for artists in Manchester’s fast-changing city centre.
The colaboration has already begun
The Italian artist and hardcore punk singer Nico Vascellari presents his large-scale, haunting audio-visual installation, Bus de la Lum, at Manchester’s Whitworth. Dany Louise asks him about the work’s meaning and his wider practice.
The Islington Mill Art Academy in Salford has been providing a free alternative to mainstream art education since 2007. Sara Jaspan speaks to its co-founder, Maurice Carlin, and gets the views of artists who’ve taken part in the Academy’s ever-evolving investigation of what art education can be.
Point 4 – Interview Booth The final point was an opportunity to interview artists/artist parents/creatives to see if there were any commonalities in there response to the previous questions and ask them specifically about their professional development needs. This is […]
43 participants including adults and children 33 General Public 10 Artists/Creatives Point 1 – Suitcase People where asked if they wanted an International or Domestic residency and noted their responses on luggage labels. The scores for this where International […]
