This week’s selection of recommended shows includes sculpture at the New Art Centre, Wiltshire, Rose Wylie at the Serpentine’s Sackler Gallery, London, plus a different take on the threat of climate change at the University of Hertfordshire.
In response to Florence Peake (workshop with) 18 September 2017 Green Rooms Hotel
‘sit’ CjB, 2017, ceramic (for sale)
I love this soft and chunky piece. ‘big’ CjB, 2017, ceramic (for sale).
Not quite a self portrait. Self-perception, perhaps? On the subject of mental health and how we think we exist in the world. ‘bust’ CjB, 2017, ceramic (for sale)
Adventures in rough-textured ‘black’ clay. ‘now see here’ CjB, 2017, ceramic (for sale)
Sculpture and the feminist gaze
To my right as I enter the exhibition is a large dark brown-coloured rectangular object fixed to the wall. My eye is drawn to white bow-tie shapes that float-hover-drift on a grey surface, offshore of a nasal-peninsula-chef’s head emerging from […]
As well as using Little Forest Land Art for our own art projects, another objective was to support other artists and makers. With this is mind we announce our artist opportunity. As part of the site preparations a large un-safe […]
I am interested in the way objects are used to convey a narrative in Cornelia Parker’s work. Twenty Years of Silver consists of two silver goblets, which her friend was given as a wedding present. The marriage has since broken […]
We visited Butley Mills Studios, Asylum Studios and Old Jet Studios This allowed us to have an insight into the diverse works and processes used by Suffolk artists working closely together in shared studios. One of the highlights from the Butley […]
On 23rd September 2017 I visited the Tate Britain to see an exhibition of Rachel Whiteread’s work. I have been interested in the processes behind the making of her works, particularly the way in which ordinary objects are cast and […]
Immortalizing the sculpture – death is part of life. The humanity of ‘process’ – the cycle of a project starts from an ending, a death of sorts. I gave up working in the way I had been and started with […]
Novellist Penny Hancock reviews Victoria Rance: The Night Horse and The Holy Baboon Sculptures, Drawings, Photographs and Animations 2007-2017 at The Cello Factory 23-30 October 2017
In the exhibitions ‘Queer Art(ists) Now’ and ‘Notes on Queerness’, the idea of queer art is presented in an artist-led context, with work ranging from painting to film. Alistair Gentry speaks to some of those featured and explores what the amorphous, contested term ‘queer’ might mean for artists in the UK.
I was lucky enough to witness the production ‘We’re still here’ at the National Theatre Wales. The performance was truly breathtaking and awe-inspiring; shadows of history shouting defiantly from their unemployed graves. The production in its entirety was emotive […]
I did not have the words when I started this blog. Looking back at it now it feels scant and sporadic, and tells me little of what was happening. The lack of verbal language, reflected here, is perhaps why I […]
