Viewing single post of blog Between the eye and the object

After finishing my book yesterday, I was left with lots of different ideas for how to start testing and playing. I wanted to carry on with the mini-projects I had begun to set myself (I like good project), they were proving both useful and practical.

I was beginning to find my voice again, after initially going on this residency with the aim to strengthen my ideas and challenge concepts within my practice, I was gradually learning bit by bit more about myself. Re-discovering why it is that I am so immensely fascinated with colour and light combined.

Luminosity was the word that encapsulated both interests in a way that made sense to me. The notion of luminous colour seeping, spilling, bleeding and staining the surfaces around us has been present in my practice for years, now I had a word for it.

In the essay ‘The Luminous and the Grey’ Batchlor writes;

Luminous colours, however old they are, appear to have a particular relationship with the world around them and with their beholders that is unlike that of other colours. First, these are colours that escape their containers and bleed into the street; they deliver what colour always promises bus doesn’t always achieve: a release from the surfaces and materials that support it, a release that leads to the fleeting magic of the ‘fiery pool reflecting in the asphalt’. p.49

My has always been my challenge and interest to capture this notion within my practice. This concern, I feel, now has to be researched, pulled apart and made into being work, as my understanding of the medium deepens.

Reading whilst on this residency has been initially challenging for me, but has given my so much back in return. When I return home, I shall keep it up, keep learning and keep feeding this knowledge back into the work I develop.

Today I started to think about luminous colour within nature (as it was on my doorstep). Making a series of ‘colour slides’ which became little jewels when held up to a light source. I was thinking small-scale in order to trial the idea, the photographs below demonstrate how flat surface colour become luminescent.

Remember what I wrote on Day 3? – “What interests me about colour in the natural/rural landscape is the vividness created when the intensity of the sun shines onto/though it. More on that later…” In this experiment I was testing this thought out, instead of using the sunshine (of which there was very little on this cold autumnal day) I used a bulb.