Tuesday 18 October 2016, the first day of my residency at the University of Suffolk in the printmaking room.


Still working on the project long after the residency ends.  The Simalcrum has new variations and formats and also Reportage has been morphed into alternative formats, both using cutting and collage.

I have returned to painting recently overlapping projects, and also I have a hybrid project evolving that combines both print and painting.  More about that later.  I am a bit busy at the moment, as I have been asked to curate an exhibition on top of other things, but it will be great and I can’t wait to put it all together.


Well not much left to do on this project as the last day of the residency has passed.  Just a bit more blogging and finishing of some pieces in the Devices and Reportage series.  I can work on them at home now and return for more Simulacrum pieces and larger printmaking later when I have joined the new Waterfront Studios.

Time, I think for the big thank you to all those at The University of Suffolk.  Thanks to Lisa  Wade for arranging the residency and Robin Warnes for introducing me to the residency scheme.  Thanks to Jane Watts as contact and coordinator for the first semester and Vicky Cull for that role in the second semester.  Thanks to Vicky and Carol Gant for helping to bring shape to the residency exhibition.  Thanks to Carol and Glenn Toner for help hanging the exhibition and Neil for taking down.  And a special thanks to Glenn for technician help during the residency.

Painting is the next project for development and a sideline combination paint and print project is evolving also now. Perhaps that would be another residency somewhere?


Back from a break from production for reflection, and also a trip to Amsterdam.

About developing practice.  
Interacting with others is an essential part of who I am.  I have always known that, as I realise that this is why I moved into teaching and also some curating after leaving art school.  As a an art & design lecturer in further education for many years, residencies have been difficult to consider.  Mostly because of the time demands of full time teaching contracts, but this change to part time teaching and a return to pushing my own art practice allows opportunity for residencies.  So this residency brings a good balance and affirms something essential about the kind of engagement that makes me tick.  I think that as an artist, finding ways to engage in practice in a way which incorporates fundamental aspects of your personality is a vital part of successful progress.  It is sometimes tricky to get the right balance, but I am making progress, and I think residencies for future projects may again be the right way to proceed.

What is good about this residency is not only that it provides good specialist facilities and equipment, and interactions with students at a higher level than my last residency (a long while ago) which makes the interactions very stimulating; but also that the university has an artist’s studio and other groups connected and integrated into the provision.  The studios are re-launching as The Waterfront Studios, and I have been making good connections there, and I am planning to join shortly.

About reflection.  
My sketchbooks, pictured here, show development ideas that I have been sorting through at this review point, as I move into the last two months of the residency.  Other than the trip to Amsterdam, as a break, I thought a pause in the progress to reflect would be a good idea, as running up to the exhibition it was hectic and I wanted to get the balance right between directing the work and the work leading me.  Blogging is of course a continuous reflection, and coincidently Marion Michell talks about the values of blogging in Rosalind Davis & Annabel Tilley’s book ‘What They Didn’t Teach You in Art School’, and also that it has a role much wider than reflection. Interesting stuff, and as I read I find more of interest.
Input by Richard Galpin I found interesting too and relates to my thoughts on developing practice, as he talks about balance between reflection/experimentation and production, although in a different way, and different circumstances. Thinking and exploratory time is important. While I was on my MA and cutting and peeling photographs, and found some kind of validation in what I was doing when I came across Galpin in a V & A exhibition. But I had not realised how successful he has been and how his work had evolved. I think a phase of revisiting the progress of artists who work in similar ways to my practice would be time well spent. But on with the residency for now.

Oh and about Amsterdam.
It was great, Van Gogh, Rembrandt, Vermeer, Banksy, Dali, and a lot of houses tipping gently from their regimental uniformity. And a lot of bikes. A bit general I know, but that’s it.

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So the exhibition Simulacrum comes to an end. Last day is Saturday, tomorrow. So a few more photographs of the installation. The residency continues, but next week will be take down the exhibition instead. So a bit of a delay to proceedings, but new ideas do await. I have been teaching printmaking at the Ipswich Institute for a term and much of it so far has been lino, so I tried out some of my ideas as well as making demo examples for the students, and I think that the new simulacrum may well have some pieces made by using other techniques rather than just screen printing. I got a portable printing press for the teaching which will do everything, as I have tested intaglio and relief printing methods on it, but it does have a size restriction. Ah well, got a residency for larger work. I am going back to theory, as well as work in the sketchbook for a couple of weeks and rethink things, and see what else I can develop. I have enjoyed working with the students the last couple of weeks so I will enjoy getting back after the big take down and sort out.


Residency continues and Devices 2 print run is now complete.  Also other pieces are either further developed or complete.  Some examples are pictured here along with the layout print part finished for Devices 2, it is still wet so I will scan it next time.  Reportage 4 or 5, oh dear I have lost count, is pictured as well.  The landscape format is very different to the portrait format that I have been using mostly just lately.  Devices 3 is planned but not started yet.

Student interactions this week.  Zani was in again doing a multitude of pieces, including more large canvas print my for his exhibition in September.  Sian came in with tutor Vicky to look at progress with crystals she has been making.  All chemical stuff and over my head I am afraid, though I was intrigued when she came in taking about it last week, and now the results are amazing.  Jen was I  the print room again today.  She went through her new prints with me discussing her ideas. Very strong I thought, and when questioned openly about issues and significations, she explained very clearly how the methods worked appropriately and said why.  Nice interacting with students working at this level, made sense and; I learned something about printmaking too.  I questioned how she combined certain techniques as I also wanted to know for myself.  She used netting/fabrics pretty much as I had been preparing for my Wednesday evening print class, but Jen had found a fine weave which printed really well.  I think I might widen my search for texture making materials.  Also although I had been doing a lot of testing of print technique combinations, I had not realised that an etching could be re-soaked and reprinted with etching type methods. Thanks Jen for the tip.

A very good day today.