Artist Paul Evans discusses how his work became aligned to the research undertaken within universities and how his socially engaged practice has enabled academics and the public to better understand the nature of university research. Based on an interview by artist Steve Pool.
Having developed a practice based around working with people in a participatory manner, in 2015 Anthony Schrag completed a practice-based PhD exploring the relationship between artists, institutions and the public within participatory public artworks. He discusses his reasons for undertaking a PhD, and gives advice to artists considering this option. Based on an interview by artist Steve Pool.
Write up on Collaborative Practice from a 20 minute seminar.
Kwong Lee, director of Manchester’s Castlefield Gallery, is to leave the role in November after nearly 11 years in charge.
With a long and close relationship between the UK and Poland stretching back over generations, and an estimated 800,000 people born in Poland currently resident in the UK, what is the Polish view on Brexit and its implications for the visual arts? Emma Sumner talks to Polish artists, curators and visual arts professionals to find out.
Liverpool’s largest artist-led gallery and studios The Royal Standard is celebrating ten years in the city with a major exhibition featuring 23 artists. Artist, curator and former TRS director Kevin Hunt explains the important role the organisation has for artists in Liverpool and its context in the wider artist-led scene.
We asked artists, arts organisers and writers to comment on how leaving the EU might affect culture and creativity in the UK. Here, writer and researcher François Matarasso, mima’s Alistair Hudson, Katrina M Brown of the Common Guild, Modern Art Oxford director Paul Hobson, and artists Haroon Mirza, Joseph Young and Gordon Shrigley give their views.
Clymene Christoforou of ISIS Arts, an organisation that works internationally with artists to produce and present contemporary art, film and new media, reflects on the spirit of collaboration that our EU status has enabled amongst British and European artists.
Geoffrey Brown of EUCLID shares his views on Brexit and provides a brief overview of practical implications for developing partnerships and applications for EU funding.
a-n’s Executive Director Jeanie Scott comments on the outcome of last week’s EU Referendum, and outlines how a-n will continue to support its membership as we navigate uncharted territory.
The first Dundee Design Festival was held on 25th-28th May this year. I had booked in for one of the events, Mass Assembly, which was a one-day forum “exploring the future of collective working for creatives and the places they […]
Unlimited is to continue to produce new works by disabled artists following funding from Arts Council England for its third programme.
A blog on my recent experiences researching and making networks in New York as part of A-N Travel Bursary 2016.
In a speech to launch a new report, Funding Arts and Culture in an Age of Austerity, Arts Council England chair Sir Peter Bazalgette has been outlining how local authorities can work with ACE to develop new ways to support the arts and culture sector.
Its time to keep telling this story. I know its going to be a struggle to translate the last few weeks into something clear and coherent, hence the gin and tonic again. In my last post I was rambling through […]
What does 2016 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.
Hats off to Paula Boulton 10th August 2015. Paula Boulton wears a fetching pink hat. Those fortunate enough to work with her before and after this date will also know she has many hats in her creative wardrobe: musician; director; […]
Beth Bate, director of Great North Run Culture, has been appointed head of the Dundee arts organisation.
Event in London brings together raft of speakers from across the arts sector to discuss funding priorities, partnerships and access – with a welcome focus on the artist.
Two events in Manchester and Blackpool will feature art, craft, live performance and music, plus special commissions from artists.
Last year, artist and curator Emma Sumner took a research trip to India which saw her visit an extensive network of organisations at the heart of this vast country’s contemporary art scene. Here she highlights three of them and explores what can be learnt from their approach to art and funding.
One of the great things to have come out of my Stitched Time project has been that the artists involved have formed a loose group, which can expand and shrink and whose members flag up interesting events to go to […]
