The first of three reports that explore the potential civic role of publicly funded arts organisations, within the context of wide community and political divisions in 2017.
Cultural policy - a-n The Artists Information Company
Full Arts Council England National Portfolio Organisations list for 2018-22.
Additional report from the Freelands Foundation revealing more aspects of gender inequality in the visual arts in Britain.
Short graphic report demonstrating gender inequality in the arts in Britain.
Strong cultural statement of policy intention by the DCMS presented to Parliament as a White Paper in March 2016.
Summary of the first sector consultations that took place as part of the Paying Artists campaign on the issue of paying artists who exhibit in publicly-funded galleries.
This report deconstructs the Paying Artists case studies, published in 2014, to highlight emerging themes and show how some galleries are already demonstrating transparency. Useful for galleries wishing to develop their own fair pay policies.
Commissioned by a-n from freelance arts writer and researcher Dany Louise, this paper shows how visual arts organisations in England, Scotland, Wales and Ireland have approached advising on visual artists’ day rates, as well as a comparator organisation in Canada […]
The final document in a trilogy from three respected researchers.
Part of the Paying Artists research portfolio, Sarah Thelwall’s report explores how public sector galleries can think differently about budgets for artists’ fees.
Fundamentally questions the Arts Council’s stewardship of the National Lottery funds, which are provided for different purposes and for far wider public benefit than ACE’s Treasury grant.
This report – the sixth in the Paying Artists research portfolio – draws together examples of how artists’ fees for exhibiting are arrived at in Sweden, Norway, Canada and Poland; and the conditions and contexts that underpin their application.
Provides a historical context within the Paying Artists campaign of the Payment to Artists for Exhibition of Work scheme implemented by the Arts Council of Great Britain in 1979.
A short paper that briefly reviews some of the existing literature that has been referenced or has provided useful context and comparison for the Paying Artists study.
Second phase of a-n/AIR-commissioned research, exploring artists’ and venues’ experiences of exhibiting in publicly-funded venues. Phase 2 findings build on data from Phase 1 and are based on interviews conducted with artists and venues.
a-n/AIR-commissioned research exploring artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
The visual arts organisations the Arts Council selected for funding as National Portfolio Organisations 2011-15
Independently researched and evidence based report addressing the balance of arts funding between London and the rest of England.
Evaluation of the pilot year of The Space, a joint three year venture between Arts Council England and the BBC.
Transcript of lecture given at the RSA on 20th March 2013.
a-n-commissioned research that presents information on the destination of visual arts funding across the four UK arts councils and the percentage rate of successful applications in years 2009-10 and 2008-09.
Six months on from the ‘Ladders for development’ report, Dany Louise revisits ladders organisations and reports on how they fared after the first round of coalition government cuts in 2011.
In this 2011 report Phyllida Shaw unwraps the ‘what’s what’ and ‘who’s who’ of Turning Point, a 10-year Arts Council England strategy for the visual arts.
Part of a Culture 2020 project intended to assist arts organisations to engage with donors. Updated findings April 2010 – June 2011 by consultancy Arts Quarter.
Case study paper discussing the likely impact on the visual arts of Arts Council England’s decisions to remove funding from fifteen visual arts organisations unsuccessful in their NPO application.