In the faded splendour of Blackburn’s Cotton Exchange, amid the light pouring in from the stained glass windows, a 3.5 metre high, octagonal structure tricks the eye in the latest work by the renowned manipulator of colour and light, Liz […]
Simon Tait is the editor of Arts Industry magazine, a former arts correspondent for The Times, a critic for the London Magazine and a former president of the Critics’ Circle. Here he meets artist SaySay.Love at his exhibition ‘The Matrix of Water’.
‘Haecceity is the becoming individual from having been undifferentiated. It is something very concrete, a thickness, like a drawing, and describes a process of individuation, like when drawing.’ http://ojs-lib.tudelft.nl/index.php/footprint/article/view/748 As previously explained the concept of Haecceity stems from the philosopher […]
For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.
“A Haecceity has neither beginning nor end, origin nor destination; it is always in the middle. ” Alan, Taylor, Haecceity (he ke’ti) 1996- The University of Texas at Arlington, http:///www.uta.edu/english/apt/d&g/haeccity,html A week into my residency and the installation of […]
Over the past few weeks as my residency approached I have been revisiting the mossland locations from within the scan data. This process helps me to focus on the memory and experience of being in place and then translate this […]
studio activity, February 2018.
HI I’d like to find a professional exhibitions photographer to document developing and finished work to show case, or possibly in the event to respond to. It would work better if the photographer’s own work is concerned with texture, light/ […]
Somerset Art Works invited London based writer/curator Angela Kingston to review ‘In The Air’, a sound installation created by artist David Ward for Somerset Art Weeks 2017.
This Professional Development Bursary was to pay for mentoring from curators to help me develop and contextualise my practice within current curatorial thinking. Aiming to examine and reflect on my work and make future plans for directions and potential outcomes.
