Sermon – On the seventh beatitude a reconstructed pulpit normally associated with the performance of a philosophical or theological presentation, is used on this occasion as a platform, which invites the audience to individually ascend the spiral stairs and stand in view […]
Flesh and Blood a kneeler reconstructed from reclaimed pallet wood, invites the audience to perform the act of kneeling in front of a mirror. From this position the participant confronts their own reflection and words of affirmation burnt in reverse into the wooden frame of […]
The second in the series of Geometric sculptures, the Icosahedron, made it’s first appearance at National Trust property Sandham Memorial Chapel this March 2020, in a group exhibition of contemporary art by CAS Artists called Saturated Space. In platonism and […]
Exciting news in January 2020 to hear that I was awarded an Arts Council England Project Grant to present: No Thing is Immediate Geometric Sculptural Installations throughout 2020. The project is intended for people with neurodivergent disabilities including dyslexia, autism […]
Blog about a series of new work I am creating exploring the five Platonic solids through sculpture and associated therapeutic sounds, creating sound installations designed for welbeing and holistic engagement.
Exploring the audio that is my practice, this blog delves into the thinking behind the works to encourage dialogue whilst helping me unravel my thoughts.
Testing continues for the light sensitive panel. Painting sound with light is taking on a new life of its own and our practices are finding new paths.
A site specific collaboration between Tony Spencer & Peter McGinnis creating work for Arches Open Studio 2019. The work a kneeler reconstructed from reclaimed pallet wood, invites the audience to climb steps and perform the act of kneeling in front of a suspended […]
As part of the bursary funded project I embarked on another two day research trip to Bristol to work with Ralph Hoyte and Phil Phelps to continue working on Stratum, a research and development project investigating the intersection of traditional […]
Work in progress, thoughts and documentation from a residency at The Institute of Recorded Sound in Stavanger, Norway. Hosted by ELEFANT and Curated Place. The collection of recorded music and associated items is one of the largest private collections of its kind in the world.
Stratum is a research and development project investigating the intersection of traditional Fine art practice and immersive digital technologies.
My research focuses on how artists’ create and construct communicative contexts within practice. Focusing on sound, my work observes human interaction and activates spoken-word, with original narratives being questioned and new, quasi-fictional narrative constructed/composed. Exploring ‘erasing’ as a methodology, my […]
Areas of Interest Challenge – How to ‘connect’ the old and present communities by exploring the trace of the past. The role of re-enactment; how much is done, what form does it take, what community involvement is there; is it […]
A blog to document and discuss my Artist in Residence post at the Scottish Crannog Centre, supported by the Scottish Graduate School of Arts & Humanities.
Appau Jnr Boakye-Yiadom is one of three artists exhibiting in the Jerwood Solo Presentations 2019 exhibition at Jerwood Space, London. He tells Lydia Ashman how his installation draws on the nine colours featured in Hieronymus Bosch’s The Garden of Earthly Delights while also featuring footage from Russ Meyer’s sexploitation film, Up!
The Great Exhibition 2018 is a spectacular light and sound event for all ages. 17th -27th August. The title of the exhibition this year is “Imagine Peace” and visitors will be taken through a series of poignant, moving, beautiful and striking artworks and installations.
