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Freelance Assistant Curator Position Posted on 9 January 2015                   Art: Audience, Development Discourse & Skills (Art: ADDS) is a two-year Arts Council funded project that will invest in a number of development opportunities for artists, arts organisations and art professionals in the region, build audiences, and increase connectivity across the North West visual arts sector. The project is initiated by Contemporary Visual Art Network North West (CVAN, NW) with each of the local networks leading on one strand. As network lead for the ‘Artist Development’ strand, Contemporary Visual Arts Manchester (CVAM) will deliver three exhibitions of North West based artists across the region in 2015. The confirmed venues are:

• Grundy Art Gallery, Blackpool (April – June)

• The Atkinson, Southport (August – November)

• Bury Art Museum & Sculpture Centre (September – November)

The exhibition at Grundy Art Gallery will be curated in house by Richard Parry; the exhibitions at The Atkinson and Bury Art Museum & Sculpture Centre will be curated by an external Guest Curator (yet to be appointed), working with the curatorial teams at the venues. Each of the exhibitions will be accompanied by a series of artist / curator talks, tours and associated events. The aim of the exhibitions is to increase: – curatorial knowledge of artists working in the region – opportunities for regional artists to show work in galleries in the North West – profile of regional artists nationally – access to, and understanding of regional artists’ work for audiences. The exhibitions form a core part of a programme of professional development for artists and arts professionals based in the North West, which aims to give increased exposure both inside and outside the region. The programme will also offer bespoke mentoring opportunities for emerging and mid-career artists and arts professionals led by local, regional and national experts in their field. Freelance Assistant Curator Role & Responsibilities: We are looking to appoint a Freelance Assistant Curator to provide support for the exhibitions. Ideally we would like this to be an opportunity for an emerging curator to gain valuable experience of curating exhibitions and events in public-facing contemporary art galleries. Applicants must have the ability to work extensively across the North West. The successful candidate will work closely with Richard Parry and the Guest Curator, as well as the Art: ADDS Project Coordinator, Emma Fry, and the teams at the three venues to ensure the successful delivery of the exhibitions. The Freelance Assistant Curator will: • Set up and facilitate studio visits in Liverpool, Manchester, Lancashire and Cumbria (with support from the Art: ADDS Project Coordinator and CVAN, NW members) for the venue curators and Guest Curator, • Share knowledge and undertake any research required in relation to North West based artists, their studios and networks to support artist selection and liaison, and gallery interpretation, • Work across venues to help facilitate successful realisation of exhibitions, liaising with artists, curators and venues within an agreed schedule • Ensure that the Exhibitions Working Group and Art: ADDS Regional Steering Group are regularly informed of developments • Support the development of artist talks, tours etc. • Contribute to the evaluation of the exhibitions and events programme This role is about adding value to the existing teams at each of the host venues and ensuring that the exhibitions programme is cohesive and that it successfully and objectively profiles North West based artists across the whole region. Fee and Expenses: A fee of £2,500 to include VAT (if applicable) and expenses is available for this work. The Freelance Assistant Curator will be responsible for his / her own Tax and NI contributions. We anticipate that the work will mostly happen in the early stages of the contract however some of the artist liaison work will continue throughout. The successful candidate is responsible for managing their workload in line with the needs of the project, however as a guide we anticipate a minimum requirement of the equivalent of 20 days work. How to apply: Applicants should send the following documents to Emma Fry [email protected] by 9am on Monday 12 January 2015: • CV • Statement, on no more than two sides of A4, demonstrating their knowledge of North West based artists and studio providers, and outlining how their skills and knowledge meet the brief. Interviews will take place in Manchester on Tuesday 27 January and ideally the successful candidate will start on Monday 2 February 2015. Location: Based in own office, travel will be required Duration of freelance contract: February 2015 to September 2015  Fee: £2,500 (including VAT and expenses)


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“…Ranciere argues that emancipation should rather be the presupposition of equality: the assumption that everyone has the same capacity for intelligent response to a book, a play or a work of art.” Claire Bishop, Participation, Whitechapel Gallery


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In the preface to Mythologies Roland writes… “For while I don’t know whether, as the saying goes, ‘things which are repeated are pleasing’, my belief is that they are significant.”


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We are currently seeking submissions for performance work in any style or genre which responds to the themes of ‘exchange’, from artists and performers looking to show their work to new audiences. We are especially interested in performance work which falls between disciplines or is hard to define, work which is still in progress or otherwise ‘unfinished’, and work which can connect directly with audiences without the use of a fourth wall. Your proposal for Hatch at NEAT14– NB Please give us an outline of the proposed work, especially how your  performance works: describe what we will see in the space, why you think your work would benefit from being shown in the context of this event and what technical or logistical support would be needed to do it justice. Please also specify what kind of environment the work ideally would be shown in (performance space, café area, studio space etc). Venue images are available on request.

What you see

I wear a suit (possibly hi-viz clothing, depending on the weather) and sit to one side of the doorway/entrance to Embrace Arts, within a hazard tape frame marking my performance area. There is a cardboard sign stating the title of the piece Un sou pour vos pensees (A penny for your thoughts) and a pile of pennies.

How my performance works

People entering the building pass me and my performance on their way into the building. They see me, my sign and have a moment to read the title. Some people smile, I smile back; some people stop, talk and I give them a penny for their thoughts or not (they do not have to vocalise their thoughts but I still give a penny).

Benefit

I perform phrases. A penny for your thoughts is a phrase people say (used to) but never actioned. Doing the saying creates an opportunity for conversation between artist and audience and opens a door to discussion. I have performed this phrase occasionally, in various locations, off ‘my own back’ so the chance to be affiliated – officially sanctioned, so to speak, would give me, my performance and my practice some external validation. Also, the title Exchange is a word my performance actively encourages and questions.

Hello Martin,

Thank you very much for sending us your proposal.

We received a very high number of responses to the Hatch: Exchange call out for only very few program slots. After long and careful deliberation our final line-up has been decided. I’m sorry to say that we won’t be asking you to show your work at Hatch on this occasion. However, we really liked your idea and with your permission we would like to keep your details on file for future events. Unfortunately due to the high number of applications we will not be able to offer any specific feedback. However we would encourage you to apply for future Hatch events and are happy to offer advice before you make your application.

Thank you for taking the time to apply.


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