For this week’s selection of UK exhibitions, we check out a show that seeks to make the intangible visible in Cambridge, drop in on the latest iteration of the British Art Show 8 in Edinburgh, and find out if computers really can imitate human thought in Manchester.
Sally Shaw, currently head of programme at Modern Art Oxford, has been appointed the new director of Firstsite in Colchester.
This week’s selection features video work in Bristol and Birmingham, plus painting shows in Walsall, London and Glasgow.
Commissioning programme that supports disabled artists will use Ambition for Excellence Award to develop its international reach.
Jerwood Visual Arts commences its 10th anniversary year with an exhibition that explores how copyright legislation impacts on the work artists make. Pippa Koszerek speaks to Common Property curator Hannah Pierce and two of the commissioned artists, Owen G. Parry and Antonio Roberts.
I’ve had a busy start to the New Year and have a whole host of new drawings that I’ve created… here’s my new blog explaining my process, techniques and reasons behind them.
What does 2016 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.
Ellie Harrison’s year-long Glasgow Effect project, which will see her only doing work within the Greater Glasgow area throughout 2016, has attracted a barrage of criticism on social media and articles in the local and national press. Chris Sharratt reports on the artist’s and project funder Creative Scotland’s response.
For the first Now Showing selection of 2016, we explore painting after abstraction in London, consider artistic positions that have been hard won in Edinburgh, and try to make sense of the ‘reality’ around us in Manchester.
Since 15 October, artist Jo Chapman has marked her 10-week residency on Shetland with a post (almost) every day on her a-n blog. She recalls a shifting and exciting year of upheaval that saw her without a studio and ‘almost itinerant’.
Kitty Scott announced as co-curator of 2018 edition, while Julie Lomax becomes director of development of the leading art festival.
In the latest in our series of picture-focused articles we take a look at the Radcliffe Infirmary Commemorative Commission, featuring artists Simon Periton, Antoni Malinowski and Daniel Silver.
This week’s selection includes a reexamination of Roland Barthes in Manchester, sculpture in Nottingham and found objects in Gateshead.
On the eve of the United Nations’ International Day of Disabled People, Unlimited’s Jo Verrent says there is still much to be done in supporting the work of disabled artists, but that this is an opportunity to commit to change.
The Antiuniversity Now! festival is taking place in London and across the UK this weekend, offering an alternative to what its founders describe as ‘the creeping marketisation of education’. Co-organiser Shiri Shalmy explains why she believes traditional academia needs to be challenged.
A group exhibition of newly-commissioned photography has opened at Jerwood Space London, enabled by the inaugural Jerwood/Photoworks Awards. Tim Clark speaks to Photoworks director, Celia Davies, about the impetus for setting up this joint programme and what the various bodies of work might reveal about the new generation of practitioners.
This week’s selection includes installation work in London, minimalism in Edinburgh and an exploration of language in Glasgow.
Getting paid a fair fee is not suggestive of a revolution. So why does it sometimes incur resistance, both from those who pay and from ourselves? This guide by Rod McIntosh introduces ideas towards getting paid what you want and indeed deserve.
In an ideal world you would only embark on projects where there is sufficient funds available. This guide by Rod McIntosh outlines an approach to finding workable compromises whilst maintaining quality for times when money is tight.
Frieze London is back for its 13th edition with 164 galleries from 27 countries, plus a rejuvenated Frieze Projects programme of artists’ commissions. Chris Sharratt reports.
Mexican artist Abraham Cruzvillegas has produced the inaugural Hyundai Commission for Tate Modern’s Turbine Hall, unveiled this week. Here, Richard Taylor finds out more about his ‘Autoconstrucción’ approach to art, following up on themes discussed by Cruzvillegas at a recent ‘in conversation’ event in Glasgow.
As the art world descends on London for the 13th Frieze Art Fair, we take a snapshot of art fair activity happening across the capital this week.
