In this project I really wanted continue my work in photography and film revolving around movement as a starting point. However this time I wanted to work more around the ideas of the movements themselves instead of the people that […]
It’s a brilliant time to visit Oslo, but it’s not a brilliant time to visit Oslo if you are hoping to meet a lot of Oslo artists. It’s July and ‘the whole of Oslo is on holiday in July’ as […]
I’ve just joined a-n and am very excited to be here! It’s also great to have a place where I can ask questions relating to my art work, so here we go… I’ve been selling my digitally altered images for […]
The end of the year is not only a time for reflection but also for proactivity as I intend to use this period to secure opportunities and exhibitions for 2018 and 2019. I feel more equipped than ever to make […]
I felt that I had only scratched the surface of understanding the life of artists in Norway, and so contacted a couple of people after my return to the UK, hoping that a few questions by email might fill in […]
I’d been so engrossed in Oslo, I’d forgotten to tell Elda at Galleri Svalbard when I’d be arriving, but figured that any slightly Wild North place like this would attract people who are problem-solvers and, sure enough, wonderful Elda had […]
Another thing about Norway is that, with a population of ‘only’ around 5.3 million, everyone is more likely to know everyone else. It turns out that Helen from Tenthaus knows sound artist Jana Winderen, whose work at SALT I had […]
The flight to Oslo is overcast. Through the fog I see fingers of rock fondling the sea but nothing else. I think I have the wrong ticket for the bus to town, but this seems no barrier to the bus-drivers […]
Before September this year I didn’t know what my physical limits were when considering my career as an artist. Since the beginning I have adopted a somewhat cavalier ‘I’ll get things done at all costs’ attitude that, by and large, […]
This blog accompanies my a-n Professional Development Bursary supported ‘time out’ from my ‘bread-and-butter’ textile teaching, and will become a record of my work as I ‘move on’ with my personal art practice.
1. Working with the ice scientists
I was looking through a collection of ephemera passed through my family from my father’s side. I came across this postcard depicting the Motor Transport Service Corps, outside Earl’s Terrace, London in 1917. My great great grandfather, Staff Sergeant George […]
I have come across the autobiographical work of Louise Bourgeois but I am particularly interested in her hardbound book Album 1994. The book includes 68 black and white photographs, illustrating Louise Bourgeois’ life, with 48 reflective comments printed onto translucent […]
I have been researching family history from my paternal grandmother’s side. I have always been interested in objects with a history behind them, whether something displayed and preserved in a museum cabinet, or ephemeral postcards with handwritten memoirs on them. […]
I am interested in the way in which Gerhard Richter created a vast number of ‘overpainted’ photographs. These are categorised into groups such as ‘self portraits’ and ‘family’. Each colour photograph has been overpainted with oil paint, and simply titled […]
I printed a page of A4 negatives which I had scanned into a computer and inverted to form positive images, onto acetate. I realised that the combination of the inkjet printer and the shiny acetate meant it would not dry […]
Some of the photo negatives were contained within a brown paper bag. I decided to scan the translucent bag into the computer with a negative inside it. I created a digital image of the negative within the bag. I decided […]
I have been interested in objects as a witness to the past. Passed through my family on my father’s side is a collection of ephemera. Within the bag of ephemera there are a collection of large format negatives. They are […]
I wanted to explore making drawings using tarnish from metal objects. Silverpoint drawings have a beautiful, delicate quality to them, and also cannot be erased in the same way pencil can. I decided to experiment with making basic marks onto […]
Whilst making work I have been thinking about the idea of spaces between things. For example, cracks in old photographs/paintings/postcards/folds in paper. I have been thinking about destruction vs preservation, and deterioration as a result of time passing and traces […]
We visited Butley Mills Studios, Asylum Studios and Old Jet Studios This allowed us to have an insight into the diverse works and processes used by Suffolk artists working closely together in shared studios. One of the highlights from the Butley […]
After researching Michael Landy’s Breakdown, primarily for my dissertation, I have become interested in unpicking everyday objects. I found the processes Landy used to order, catalogue, destroy and document all of his possessions intriguing. I especially was interested in how he kept […]
On 23rd September 2017 I visited the Tate Britain to see an exhibition of Rachel Whiteread’s work. I have been interested in the processes behind the making of her works, particularly the way in which ordinary objects are cast and […]
I have been thinking about the idea of palimpsests, with visible traces of earlier writing and layers scratched into the surface of a wax tablet. I find it interesting to think about the traces of history left visible on the […]
After my research into using destruction as a method of creating art, I decided to play around with everyday materials. I took so old magazines and altered these through ripping and building up layers and then stitching together as a […]
