Culminating in a day-long symposium on the ‘ideas, impact and architecture’ of Robin Hood Gardens’ architects Alison and Peter Smithson, the group show ‘Parallel (of Life and) Architecture’ includes a collaboration between Assemble and London-based artist Simon Terrill. Chris Sharratt finds out more.
Encounters between photographer Jerome Whittingham and the Hull Library Service, an installation of photographs.
October will see me utilise this blog for documenting, describing and assessing my Orchard Square artist’s residency. We’re just over a week in and I feel as though I have began to assert my creative integrity within the space. As every day […]
In a post-Grenfell London, this year’s Frieze Art Fair feels more incongruous than ever, but what of the art inside? Chris Sharratt reports.
Sculptor Laura Ford’s new commission for Brighton’s House Biennial draws on the history of town’s Royal Pavilion and in particular that of its early 19th century commissioner King George IV, who lived there as Prince Regent prior to taking the throne. Dany Louise talks to the artist about her work and finds out why Donald Trump has a starring role in her installation, A King’s Appetite.
Curated by George Vasey and Sacha Craddock and featuring artists Hurvin Anderson, Andrea Buttner, Lubaina Himid, and Rosalind Nashashibi, this year’s Turner Prize exhibition in Hull showcases strong and exciting work. Fisun Güner reports.
My upcoming solo exhibition at Surface Gallery, Nottingham, will see me exhibit 20 perfumes. Each perfume will be a portrait of another artist, achieved through an established process that begins by asking artists the question ‘why do you make art?’ […]
My perfumed self portrait is complete and currently nestled between 15 other works in an exhibition curated and devised by myself and artist Sharon Mossbeck entitled Alternative Portraits The aim of Alternative Portraits is to both investigate and celebrate innovative […]
A little post about my experience of exhibiting for the first time since completing my MA Fine Art two years ago.
Despite some underwhelming missteps, the fourth Folkestone Triennial is the best yet with particularly strong works by Richard Woods, Sol Calero, Emily Peasgood and HoyCheong Wong. Fisun Güner reports from the south-east coast.
