During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.
Paying Artists - Page 2 of 7 - a-n The Artists Information Company
Calling artists and organisations to take part in a new sector-wide survey to collect essential data and produce a benchmark for Exhibition Payment.
The recently established Paying Artists Working Group met last month to decide on the steps needed to implement and develop a-n’s Exhibition Payment Guide over the next four years. Here we outline its plans and priorities.
Going to arts development meetings cost me time and money – but can freelance artists afford not to go?
Using learning from approaches taken in Australia and the USA, Susanne Burns offers a critique of the competitive UK subsidised arts system, identifying changes required for organisational and artist economic sustainability.
Venue:Bridge 5 Mill
Date:January 27, 2018 at 10:00 AM
Location:North West England
With too many artists’ residencies excluding those who don’t have independent means of support or who have responsibilities at home, Alistair Gentry welcomes Wysing Art Centre’s new residency programme and calls for more of the same from building-based arts organisations.
Berlin-based artists Sol Calero, Iman Issa, Jumana Mana, and Agnieszka Polska have released a joint statement strongly criticising the approach of the Preis der Nationalgalerie.
Guidance for organisations on how to shape policy statements on Exhibition Payment. Produced in support of a-n/AIR’s Exhibition Payment Guide, which calls for organisations to be transparent in their working practices with artists by publishing clear and transparent payment information.
Analysis of data drawn from a-n’s Jobs and opps site over the calendar year of 2016 along with commentary on the current conditions for artists’ practice in the UK.
Artists are often asked to work for free in return for exposure via social media likes and audience praise, so for a recent commission (paid) Alistair Gentry decided to walk around Folkestone dressed in a cliched ‘artist’s costume’ asking other types of worker if they’d do the same. Perhaps unsurprisingly, they weren’t particularly keen.
A Paying Artists Working Group is being set up to inform the development of a-n / AIR’s Exhibition Payment Guide and support its implementation over the next five years.
New York’s W.A.G.E. (Working Artists and the Greater Economy) has introduced a new automated process for its W.A.G.E. Certification scheme, which aims to publicly recognise nonprofit organisations that meet minimum payment standards for artists.
Talks, tours, seminars, workshops, DIY building, chopping, cooking, eating: just some of the activities undertaken by artists at a-n’s Assembly events throughout May and June 2017. Here we pull together a collection of images from the events in Margate, Liverpool, Bristol, Newcastle and Leeds.
One half of the London-based performance company There There with Dana Olărescu, Bojana Janković argues that the economic pressures more and more artists face are ultimately shaping the kind of work that gets made, especially by emerging artists, with profound and long-term consequences.
Developing sustainable creative practice with Navigator North.
Glasgow’s world renowned artist-run gallery has postponed its annual members’ show as its unpaid committee struggles to cope with the time demands of the role.
The new one-year pilot scheme has been developed in partnership between the department of social protection and the department of arts, heritage, regional, rural and Gaeltacht affairs, in consultation with Visual Artists Ireland and The Irish Writers Centre.
In the lead up to the general election on 8 June, a-n’s Director Jeanie Scott announces a major five-year strategy to make sure the new government understands – and reflects – the needs and contribution of the UK’s visual artists.
The key themes on the agenda at this year’s No Boundaries conference, supported by Arts Council England and the British Council, emerged as community, inclusivity and socially responsible citizenship. Sophia Crilly reports.
Dave Beech’s book Art and Value was the subject of a recent symposium at London’s ICA that raised important questions about such diverse areas as the role of arts organisations, corporate sponsorship and paying artists. Laura Harris attended and found pockets of insight in an incohesive day.
Report highlights challenges faced by artists and other freelance professionals working across Scotland, with continuing issues relating to artists’ fees.
Following more than two years working and consulting with artists, major public funders and visual arts organisations, a-n and AIR has published new guidelines for paying artists for their contribution to public exhibitions.
Created specially for the Paying Artists Campaign by artist Dan Thompson, the Artist-Led Manifesto sets out the principles of fair payment for artist-led groups and collectives who may be in receipt of public funds, but who may also operate without funds at the directive of the artists involved.
a-n and AIR to launch landmark piece of guidance for securing payment for artists who exhibit in publicly-funded galleries, with an event today at the Jerwood Space, London.