Artists are often asked to work for free in return for exposure via social media likes and audience praise, so for a recent commission (paid) Alistair Gentry decided to walk around Folkestone dressed in a cliched ‘artist’s costume’ asking other types of worker if they’d do the same. Perhaps unsurprisingly, they weren’t particularly keen.
Paying Artists - Page 2 of 7 - a-n The Artists Information Company
A Paying Artists Working Group is being set up to inform the development of a-n / AIR’s Exhibition Payment Guide and support its implementation over the next five years.
New York’s W.A.G.E. (Working Artists and the Greater Economy) has introduced a new automated process for its W.A.G.E. Certification scheme, which aims to publicly recognise nonprofit organisations that meet minimum payment standards for artists.
Talks, tours, seminars, workshops, DIY building, chopping, cooking, eating: just some of the activities undertaken by artists at a-n’s Assembly events throughout May and June 2017. Here we pull together a collection of images from the events in Margate, Liverpool, Bristol, Newcastle and Leeds.
One half of the London-based performance company There There with Dana Olărescu, Bojana Janković argues that the economic pressures more and more artists face are ultimately shaping the kind of work that gets made, especially by emerging artists, with profound and long-term consequences.
Developing sustainable creative practice with Navigator North.
Glasgow’s world renowned artist-run gallery has postponed its annual members’ show as its unpaid committee struggles to cope with the time demands of the role.
The new one-year pilot scheme has been developed in partnership between the department of social protection and the department of arts, heritage, regional, rural and Gaeltacht affairs, in consultation with Visual Artists Ireland and The Irish Writers Centre.
Juan Bolivar, an artist and curator, explores the history and practice of curating, and provides ten key questions for independent curators and artists to help guide you in developing your first exhibitions. Bolivar’s painting practice runs parallel to his curating practice; first initiating TRAILER (2001-05) – an artist collective utilising temporary locations to stage exhibitions – and since, going on to curate over 40 exhibitions as an independent curator.
Advocacy toolkit to support a-n members to make the case for visual art and artists in the run up to the 2017 General Election on 8 June. Provides key messages, ideas for communicating and a sample letter.
In the lead up to the general election on 8 June, a-n’s Director Jeanie Scott announces a major five-year strategy to make sure the new government understands – and reflects – the needs and contribution of the UK’s visual artists.
The key themes on the agenda at this year’s No Boundaries conference, supported by Arts Council England and the British Council, emerged as community, inclusivity and socially responsible citizenship. Sophia Crilly reports.
For this follow up to her Approaching galleries guide, Jennie Syson, director of Nottingham-based commercial gallery Syson, asked artists, arts managers, curators and gallery directors to share their top tips, and dos and don’ts advice.
Dave Beech’s book Art and Value was the subject of a recent symposium at London’s ICA that raised important questions about such diverse areas as the role of arts organisations, corporate sponsorship and paying artists. Laura Harris attended and found pockets of insight in an incohesive day.
Jennie Syson, director of the commercial gallery Syson in Nottingham, offers some advice on approaching galleries, through setting out the different research routes and methods you might use.
Proactively seeking out opportunities to realise exhibitions and projects is an important strategy in the arts. Adam Smythe, Curator at the Bluecoat in Liverpool, gives some advice on the best methods of approaching galleries with exhibition proposals for your own work or for curatorial projects.
A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.
Report highlights challenges faced by artists and other freelance professionals working across Scotland, with continuing issues relating to artists’ fees.
Following more than two years working and consulting with artists, major public funders and visual arts organisations, a-n and AIR has published new guidelines for paying artists for their contribution to public exhibitions.
Sectoral guidance and framework, produced by a-n and AIR as an outcome of the Paying Artists Campaign, providing specific advice on payments within the context of exhibitions or other visual arts presentation to the public.
Created specially for the Paying Artists Campaign by artist Dan Thompson, the Artist-Led Manifesto sets out the principles of fair payment for artist-led groups and collectives who may be in receipt of public funds, but who may also operate without funds at the directive of the artists involved.
a-n and AIR to launch landmark piece of guidance for securing payment for artists who exhibit in publicly-funded galleries, with an event today at the Jerwood Space, London.
Negotiation is one of the four core principles of a-n/AIR’s Exhibition Payment Guide. This quick guide offers 10 tips for better negotiation.
a-n/AIR’s Exhibition Payment Guide calls for written confirmation of exhibition and financial details in the form of a contract or letter of agreement. This quick guide offers 12 key points an agreement should cover.
a-n/AIR’s Exhibition Payment Guide calls for written confirmation in the form of a contract or letter of agreement. This quick guide outlines the essential ingredients of a contract, gives guidance on what form a contract should take, and offers tips on negotiating and agreeing contractual arrangements.