(This photograph was taken during my commission by Aidan Moesby for the Thresholds Online Exhibition at MIMA, but doesn’t form part of the final selection for my photographic series Safe as Houses.) How does it feel to be an […]
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Exciting news – I will be taking over as Meetings Coordinator for Supermarket – Stockholm’s Independent Art Fair! Katarina is stepping down after seven very successful years of bringing together artists, curators, activists and producers. The meetings programme is a […]
Mark Leckey’s Felix Gets Broadcasted (2007) Mark Leckey keeps things. More than just an artist, he is a hoarder of epic proportions. His 30-year career is littered with the objects, images and detritus of 20th century popular culture, a lexicon of cultural […]
Uncrossing my arms: Lorna Simpson’s Five Day Forecast at Tate Liverpool American artist Lorna Simpson (1960) is one of the first black female artists to achieve critical, institutional and art market success. But none of that counts much when you’re […]
Hito Steyerl: How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) “Whatever is not captured by resolution is invisible” intones the narrator of Hito Steyerl’s How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013). […]
Mark Leckey’s Felix Gets Broadcasted (2007) In the blue, flickering half-light, two large oval eyes, a perfectly round nose and upturned crescent smile emerge briefly, before revolving out of view. The scene cuts to a spinning disc, pierced towards the […]
Documents for professional development
Eduardo Paolozzi: Michelangelo’s ‘David’ (?1987) In 1987, Eduardo Paolozzi (1924–2005) was walking past Harrods in London when he spotted a window dresser setting up a display using a plaster cast of the head of Michelangelo’s David. Apparently on impulse, he borrowed […]
Ghosts in the Machine: Mark Leckey’s Felix Gets Broadcasted (2007) In flickering monochrome on an old tube TV, a figurine of Felix the Cat rotates on a platter. His smiley blankness seems to gradually turn to dread, his eyes peeled […]
The third and final workshop of the a-n Writer Development Programme 2019-20 took place on Friday 21 February at Tate Liverpool. Hosted by Liverpool-based writers/editors and co-founders of The Double Negative website Laura Robertson and Mike Pinnington, the afternoon was […]
In the last of the 600-word reviews filed following the second workshop at Baltic in Gateshead, Isaac Nugent looks at London-based painter Joy Labinjo’s recent exhibition. Review #8: Joy Labinjo at Baltic Through a series of large, brightly-hued paintings and […]
Each of the eight participants on the a-n Writer Development Programme 2019-20 was asked to submit a 600-word review of a current exhibition at Baltic, Gateshead. Half chose to review the Judy Chicago show. Here’s what India Nielsen thought. Review […]
As a follow-up task from the second a-n Writer Development Programme workshop at Baltic in January, the eight participants were tasked with filing a 600-word review of one of the current exhibitions are Baltic. Four of the writers chose the […]
Following the second workshop in the programme, led by frieze deputy editor Amy Sherlock, three of the participants chose to write about British-Nigerian painter Joy Labinjo’s exhibition at Baltic, ‘Our histories cling to us’, her first major solo show. Here’s […]
Four out of the eight writers on the a-n Writer Development Programme 2019-20 chose to review the Judy Chicago exhibition at Baltic, curated by Irene Aristizábal. To follow is Kitty Bew’s 600-word piece. Review #4: Judy Chicago at Baltic Is every man […]
The third 600-word review stemming from our workshop at Baltic is by Rachel Marsh, the only writer to choose the group show ‘Animalesque – Art Across Species and Beings’. Review #3: Animalesque at Baltic Finding the line between human and […]
Following the second writer programme at Baltic, each of the participants was tasked with writing a 600-word review of one of the current shows at the gallery. Jamie Limond chose the Judy Chicago ‘mini-survey’. Review #2: Judy Chicago at Baltic ‘Will […]
Following a fantastic second workshop by frieze deputy editor Amy Sherlock, which focused on reviewing, each of the eight writers on the a-n Writer Development Programme 2019-20 was tasked with writing a 600-word review of one of the exhibitions at […]
Announcing the recipients of this year’s a-n Artist Bursaries, which offer awards of £500-£1,500 to a-n Artist members wishing to undertake self-determined professional development over the coming year. We take a look at some of this year’s funded projects and hear from successful applicants.
The second of three workshops that form part of the a-n Writer Development Programme 2019-20 took place on Wednesday 15 January at Baltic, Gateshead. Led by frieze deputy editor Amy Sherlock, the focus of the afternoon was exhibition reviewing for […]
Following the first workshop on the a-n Writer Development Programme 2019-20, hosted by Coventry Artspace back in November, the writers were tasked with filing a 1,000 word feature on Coventry Biennial. The article needed to include quotes from the biennial’s […]
Continuing our series of articles on the Coventry Biennial, which each of the eight participants on the programme submitted following the November workshop, here’s Isaac Nugent’s 1,000-word feature. 7. Coventry Biennial by Isaac Nugent “It could have gone horribly wrong.” […]
