5th July 2018 My final visit was to Tipoteca Italiana in the town of Cornuda, Treviso province. A legendary museum amongst the typography, print and design communities, the collection and archive was established by the Grafiche Antiga print company. Realising that […]
Professional Development - Page 2 of 15 - a-n The Artists Information Company
3rd July 2018 An important part of my Italian trip was visiting the studios of other artists taking part in Letterpress Workers. Private working spaces are always fascinating: they offer valuable insights into an artist’s work and methods, which in […]
I’ve been extra busy working with four talented Green Door artists this Summer. Each individual has benefited from face-2-face coaching with me as their coach and I’ve enjoyed every single minute of it. From dealing with challenges such as procrastination and […]
When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.
I travelled to Milan last month to participate in the Letterpress Workers International Summit, an annual gathering of letterpress practitioners. It was established in 2012 by the cultural association Officina Tipografica Novepunti (tr: Novepunti Typographic Workshop) and is now an […]
At the recent Jamboree 2018 event on the Dartington Estate in Devon, the London-based German artist Rosalie Schweiker presented an improvised slide show about the difference between being a conventional ‘sausage’ artist and a hard to pigeonhole ‘mince’ artist. Here she turns that talk into a short explanation of her thinking – with added drawings of sausages, mince, and mince-based products.
So quite unbelievably I have not posted in 4 months … this is for a couple of reasons; the main one being that I severely injured my right eye in April and have only recently stopped treatment and have now […]
Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.
Following a call-out asking artists to submit their ‘preparations, patterns, neuroses, speculations, and procrastinations that surround the production of art in the studio’, the four-day Inventory of Behaviours event at Tate Modern saw these submissions turned into instructions that were carried out by volunteer artists, students and members of the public. Trevor H. Smith explores the value of the transitional space between not making and making art.
a-n’s External Programmes and Partnerships Manager Hannah Pierce offers advice on the benefits to artists of mentoring and coaching, and highlights some of the differences between these two approaches to interaction and personal, professional development.
As part of our commitment to supporting artists’ professional development, we are offering 15 places for a-n members to remotely access a series of coaching sessions with a coach accredited through a-n’s Visual Arts Coaching Course.
As part of our commitment to supporting artists’ professional development, we are offering 25 places for a-n members to remotely access a series of mentoring sessions with one of five visual arts mentors.
A blog chronicling participation in the Letterpress Workers International Summit 2018 in Milan, supported by a bursary from a-n The Artists Information Company.
Securing a place on the a-n Visual Arts coaching course was the nudge I needed to propel me into an area of artist development that has great meaning to me.
a-n is partnering with three Manchester-based art and design organisations to pilot a new programme of professional development sessions for artists that will take place in the city between July 2018 and March 2019.
The second a-n Assembly of 2018, taking place at Eastside Projects in Birmingham on 15 June, will explore the impact on artists, residents and arts organisations of the city’s ambitions to grow and regenerate.
Venue:Towner Art Gallery
Date:May 24, 2018 at 06:00 PM
Location:South East England
The Wiki definition of sustainability talks of a biological entities ability to ‘remain diverse and productive indefinitely.’ Having just completed my 2017 – 2018 tax return (& subsequently reviewed the previous ten years of accounting records) this notion of ‘indefinite […]
a-n’s Assembly programme of workshops, talks and networking returns with a new series of one-day events taking place in four cities around the UK. With events in Salford and Birmingham already confirmed, we take a closer look at the Assembly Salford programme which will explore how artists can maintain their presence within a city region undergoing rapid development.
Announcing the recipients of this year’s a-n Biennial Bursaries which will enable 10 a-n members to attend the opening days of the 10th Berlin Biennale for Contemporary Art in June, while a further 10 will travel to Palermo in Sicily for the preview of Manifesta 12.
Announcing the recipients of this year’s a-n Artist Bursaries which offer awards of £500-£1,000 to a-n Artist and Joint (Artist and Arts Organiser) members wishing to undertake a self-directed professional development project.
Hellooooooo (I meant to put that many “o’s” by the way and in my head sounded quite like Mrs Bucket (Bouquet), if you don’t know who that is shame on you). So I have no written for quite a while […]
Venue:10am – 4pm: Pennine Lecture Theatre, Sheffield Hallam University 4 – 6.30pm: Yorkshire Artspace
Date:February 22, 2018 at 10:00 AM
In the last of eight reviews stemming from the writer development workshop at Ikon Gallery in December, Trevor H Smith finds many questions left hanging in Edmund Clark’s exhibition, ‘In Place of Hate’. I am led down a strip-lit corridor, […]
For his review of Edmund Clark’s ‘In Place of Hate’, Martin Hamblen is struck by an absence on the inside. A walk-in, waist-high light box, constructed in the shape of a right angled capital C. On the exposed Perspex surface […]