Many thanks to Beth McIntire, Senior Curator Prints and Drawings, and Nick Thornton, Head of Fine and Contemporary Art, for giving up their time to show me the stored works on paper, prints and fantastic drawings by Gaudier-Brzeska. Since then […]
A thin place is a landscape’s anomaly, where the division between this world and another is particularly thin.
17 March 2015 – 21 June 2015 Henri Gaudier-Brzeska: Art, dance and movement in London 1911–1915 “Sculpture consists in placing planes according to a rhythm” Gaudier-Brzeska, 1911 2015 marks 100 years since Henri Gaudier-Brzeska died aged 23 in the First […]
Great! – I have been awarded £3000 from Arts Council of Wales to help me with research, investigating, travelling in order to find out more about Henri Gaudier-Brzeska’s time in Cardiff in 1909 up to his sudden death in France […]
So this week I finally finished my piece for the touring dementia exhibition and also the first piece of my MA collection. Yes, rather than one amazingly, orgasmic piece de resistance I decided to produce a body for my MA […]
One of an occasional series of reviews which also appear on my website when exhibitions are of particular relevance to the work. Anselm Kiefer at the Royal Academy: A Post Memory Perspective Chance brought me to the Royal Academy on […]
Edinburgh Sculpture Workshop opens its £3 million purpose-built studios and hub with a number of new artists commissions.
we made our go and see visit to grizedale to see and experience the sculpture and to research what it was like to work outdoors. there were numerous circumstances that influenced the visit to take place in mid September. the weather […]
“a unique and powerful collection of surreal, controversial and provocative art.”
In collaboration with Ikon gallery, Birmingham-born artist Gillian Wearing has immortalised a local family, consisting of two sisters and their children, in a bronze artwork sited in Centenary Square outside the new Birmingham Library.
Having set the bar so high recently with his Torqued Ellipses and the Gestaltkunstwerk, The Matter of Time at the Guggenheim Bilbao, the question arises as to whether Richard Serra can continually raise sculptural parameters? It is a tough challenge […]
Site specific interventions
Molecules of Emotion
