Rendering
So, I am actually writing this as the video renders…. I can hear the computer whirring away. I’ve had to quickly pick up working with the Adobe Premiere interface thanks to my truly excellent co-editor Ben Hunt. He has done […]
So, I am actually writing this as the video renders…. I can hear the computer whirring away. I’ve had to quickly pick up working with the Adobe Premiere interface thanks to my truly excellent co-editor Ben Hunt. He has done […]
Well, huge surprise, I was going to do more work on the concertina book but someone has bought it as is, after seeing it on my FB page. With my earnings down due to my time being hugely eaten into […]
London-based artist Tash Kahn carefully curates the detritus she photographs on London’s streets on her @thisladypaints Instagram. Laura Davidson enters her world of trash.
There is still time to see the Trinity Buoy Wharf Drawing Prize at its present venue at the Royal Drawing School in Shoreditch, London, before it ends on the 21st February. The exhibition will then move on to Drawing Projects […]
My last mentoring session saw me arrive at a point where I knew that I wanted to move forward experimenting with making and collecting soundscapes using the body as a source. I had talked to Ben about how I would […]
Paul Moss was the co-founder of Gateshead’s Workplace Gallery and also co-director of the Workplace Foundation, a charity set up to support emerging and under-represented artists based outside of London.
More News In Brief: Tetra Pak heirs donate £10m to Royal Academy art school; Metropolitan Museum of Art gives coffin back to Egypt after discovering it had been looted.
Inspired the writings of Italo Calvino, the ‘Six Memos’ exhibition in Liverpool brings together 20 artists from 12 European cities in the CreArt network. As Brexit draws nearer, Martin Hamblen reflects on its cruel asymmetry.
‘……..an exhibition that explores contemporary notions of the sublime: the human capacity
of feeling when presented with the vastness, obscurity and the terror of the unknown, subsumed into awe when seen from the safe distance of the viewer’s perspective’.
A selection of the week’s best shows, including: immersive installation by Daniel Steegmann Mangrané at Nottingham Contemporary; formative Diane Arbus photography at Hayward Gallery; the burnished ceramics of Peter Hayes at Black Swan Arts in Frome.
This blog is the second in a series of posts documenting my experience on Essential Digital Skills for Museum Professionals, a Mu.SA (Museum Sector Alliance) course. So far we have covered: Terminology + methods for sourcing and managing data + information Digital […]