The latest DACS’ Annual Review shows a 42% increase in the number of artists benefiting from royalty payments in 2016, while the organisation says it has now distributed more than £100 million to artists and their estates since 1984.
The UK has the most highly developed arts infrastructure in the world. But, asks 2016-17 Clore Visual Artist Fellow Maurice Carlin in the first of two short provocations, imagine if it all disappeared overnight. Would it make a difference to your career? Would you still make art? And what do we want this infrastructure to do?
A crowdfunding campaign has been launched that seeks to support women artists over the age of 55 to continue their art practice during periods of personal, life and career change.
A new report by François Matarasso has been published on the impact of a week-long pilot lab that offered six early career artists, aged 50 and over, time to explore how creativity can be nourished and how artists can challenge themselves to develop.
The new strategy will tackle the growing challenges artists face in sustaining their careers, with a fundamental aim of ensuring policy makers and commissioners value the artist as well as the art.
Across two days of talks, workshops and get-togethers, Assembly Margate explored both the specifics of living and working as an artist in a town with a small population where art can be a contentious subject, and the broader picture of how artists deal with issues such as regeneration, gentrification and working with communities.
In the lead up to the general election on 8 June, a-n’s Director Jeanie Scott announces a major five-year strategy to make sure the new government understands – and reflects – the needs and contribution of the UK’s visual artists.
a-n’s touring programme of workshops, talks and get-togethers begins in early May with Assembly Margate, devised in collaboration with Margate-based social artist Dan Thompson. Stephen Palmer reports.
35 artists from 19 countries will take part in the once-a-decade sculpture festival in the German city of Münster, with additional partner events in the nearby city of Marl taking place for the first time.
At IAA Europe’s recent annual two-day general meeting in Berlin, a key workshop discussed the issue of social security and the mobility of visual artists within Europe. Pippa Koszerek reports that, despite Brexit, such discussions remain important to UK artists.
For the latest in her series on artists’ books, Sarah Bodman looks at the work of Maddy and Paul Hearn who, with fellow artist Vickie Fear, are behind this month’s Counter: Plymouth Art Book Fair.
For over 30 years, New York’s Guerrilla Girls have been the feminist conscience of the art world, exposing sexism through protests and original research on posters, stickers, billboards and artwork. Fisun Güner spoke to two of the founding members about their new Whitechapel Gallery show, ‘Guerrilla Girls: Is it even worse in Europe?’
Primarily aimed at self-employed artists, this guide sets out why people should be considering a pension or retirement plan and offers advice on a number of different choices that are available.
Following its official trade union recognition in June, Artists’ Union England yesterday marked this milestone with an official launch and party in London.
In its Arts Strategy 2016-17, published to coincide with Edinburgh’s festival season, Creative Scotland has made fair pay for artists a core aim as part of its commitment to supporting and promoting artists’ work.
Jerwood Visual Arts and Bath Spa University have announced the 55 artists selected to be part of Jerwood Drawing Prize 2016.
a-n’s Executive Director Jeanie Scott comments on the outcome of last week’s EU Referendum, and outlines how a-n will continue to support its membership as we navigate uncharted territory.
a-n and the AIR Council invite artists and the wider visual arts community to ask questions and share their views this Thursday, 1-3pm on Twitter for The Great British Artists’ EU Referendum Debate.
As the search continues for a new home to house Rogue Artists’ Studios, Bob Dickinson visits a show of work by 11 of the building’s 100-plus artists and asks where next for artists in Manchester’s fast-changing city centre.
The fifth edition of the open painting prize features 39 painters, with exhibitions planned for London and Dublin.
Culture Action Europe are hosting a 72-hour ‘jam session’ asking: ‘Are artists and intellectuals obliged to engage in society and politics today?’
Launching today, a-n is a lead partner in a comprehensive survey into how visual artists in England live and work, part of a new Arts Council England research project that will shape future support and initiatives for artists. Take part and share your views on the day-to-day realities of being a professional artist and the challenges and barriers you face.
The Islington Mill Art Academy in Salford has been providing a free alternative to mainstream art education since 2007. Sara Jaspan speaks to its co-founder, Maurice Carlin, and gets the views of artists who’ve taken part in the Academy’s ever-evolving investigation of what art education can be.
The third edition of the LUX and ICO collaboration bringing artists’ moving image into mainstream cinemas launches with a special screening at Tate Britain. Project manager Adam Pugh and artist Margaret Salmon discuss the continuing relevance of the artists’ short to contemporary audiences.
In my adolescence, I visited the artist in a London flat. There was a room designated for the studio; I could not smell turps or white spirit; I could not see a Francis Bacon tsunami licking the prosaic off […]
