
Julie Hill, Deserts on the moons of other planets ☽
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Archive
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Venue:
Passen-gers -
From:
March 24, 2017 -
To:
April 23, 2017 -
Location:
London
This week’s selection includes film installation in London, photography in Penzance and a celebration of Aspex’s 35th anniversary in Portsmouth.
This week’s column – featuring exhibitions and projects posted by a-n members on our busy Events section – takes us to Lancaster, Plymouth, Powys, New Forest National Park and Swansea.
Working in a wide-range of media from film to sculpture to performance, London-based artist Larry Achiampong draws on colonial history, his own Ghanian heritage, and the experience of growing up in Britain to create works that explore ideas around class, race and cultural identity. Wayne Burrows talks to him.
East Contemporary Visual Arts Network is one of three organisations to receive a share of over £1,600,000 from Arts Council England’s Ambition for Excellence fund.
Jenni Lomax announced late last year that she is stepping down from her role at Camden Arts Centre, a position she has held for 26 years. Fisun Güner talks to the much admired director about working with artists, the importance of education in the gallery’s programme, and what she will do next.
I was delighted to be accepted for Art Fair Malaga this week, and a after a little struggle with RyanAir I have booked my ticket and seperatley a nice cheap central place to stay. At this point in time I […]
A weekly briefing featuring national and international art news, including: Winners of Wolf Prize announced, high-profile artists support strike on Trump’s inauguration day, and Bangor University fine arts courses under threat.
With scrutiny of the government’s Brexit plans intensifying as Theresa May’s end of March deadline for triggering Article 50 to leave the EU gets nearer, artists are responding to the uncertain climate in a variety of ways. Pippa Koszerek, who as an artist is herself involved in Brexit-related events, takes a look at some forthcoming projects.
As outlined in previous posts, the direction that ‘Think, Question, Print’ has taken in the latter stages has been disappointing and frustrating. When I received the funding and began planning the project I aimed to devote a significant amount of […]
I am finally emerging from 7 weeks with my head inside the computer! Or that is what it feels like. Mainly writing a funding application for the Arts Council to fund this project. I submitted it last night! Two days […]
Nowadays there are more than twice as many female students than males on fine art courses, according to data obtained from the HE Statistics Agency. However, many contemporary galleries and exhibitions still need to realise the value of women’s art. […]
29 July to 6 August 2016 The Monmouthshire and District National Eisteddfod of Wales took place in Castle Meadows in Abergavenny featuring poetry, dance, song music, theatre, literature and art.
I have been testing and preparing examples using lino and monotype techniques. I made these ready for January as I have been asked to deliver a printmaking course at the Ipswich Institute nearby for the spring term. I think I […]
I had a meeting with Prudence Maltby and Susan Francis the other two founder members of Cicatrix. Toby Smith, the director of the Salisbury International Arts Festival has been approached about showing Catherine Farish’s Stonehenge series of prints in the 2017 […]
This week was quiet in the print room as it seems tutorials were happening all round, and also road closures due to weather delaying students. But there was some activity, and one student was interested in my work and talked […]
It’s been over two years since I collaborated with archaeologist Keir Strickland to undertake a research trip to the abandoned island of Swona, in August 2014. Swona is just over a mile long and half a mile wide and lies in the […]