The Royal Standard, Liverpool’s renowned artist-led studios and gallery, is facing a brighter future after resolving – for now – the rates relief issue that threatened its existence.
Summit Gallery is a new artist-led gallery and project space overlooking the Olympic Park in Hackney Wick. We talk to Director Natalie Sanders and the project’s first artist-in-residence Riccardo Iacono.
A week after announcing the closure of Cardiff-based contemporary art agency Mermaid & Monster, its Director takes a close look at the art ecology of Wales and finds plenty to be concerned about.
In the light of Arts Council England’s recent capital grants announcement, Alistair Gentry asks when investment in the work of new, financially strapped artists will be given the same priority.
The Cardiff-based contemporary art agency has announced that it will no longer be representing artists, citing the shrinking market for smaller, regional galleries as a factor.
Museums Sheffield, the charitable Trust responsible for three of the city’s museums and galleries, is facing a £200,000 reduction to its annual grant as the City Council is tasked to find £50m in savings.
Wondering what 2013 has in store in terms of conferences and events, art fairs and festivals? We take a look ahead to provide a snapshot of things we think are worth noting in your diary.
a-n Director Susan Jones visited DIY Art School in Manchester where the focus is on collaboration and research.
The venerable London Art Fair is playing host to some interesting interventions in its Art Projects strand, enabling unrepresented artists to get a piece of the art fair action. We look at some of the methodologies being employed and test the temperature of the art market in 2013.
A random selection of resolutions, predictions and plans for 2013, from the impact of arts cuts in Newcastle to an artist’s intention to ‘do less’. Now, what are yours?
For a-n Director Susan Jones, 2012 has been a year of research and development, as the organisation looks to the future for artists and their practice.
An internal report gives Arts Council England a clean bill of health in relation to Artists Taking the Lead in Yorkshire.
In the third instalment of our Christmas series offering alternatives to high street shopping, we profile festive fairs and selling shows taking place this week in Glasgow, Gateshead, Oxford, Northampton, London and Plymouth.
£1,500 up for grabs in Bristol’s hottest open exhibition prize.
In the second in our Christmas series offering alternatives to the high street, we highlight selling shows and pop-up shops in Sheffield, Bristol, London, Cheshire and Suffolk.
The recent INTERPLAY event, organised by Bristol’s Hand In Glove collective, brought together artist-led groups from across the South-West and beyond. The co-Director of Redruth’s Back Lane West describes its ‘egalitarian atmosphere of possibility’.
ALISN’s Conference for Emerging Organisers explored the complexities of being an artist-organiser, and provided a useful forum for informal networking and discussion.
Artist-led organisation Studio Voltaire opens an ambitious fundraising venture in the heart of London’s Mayfair, with contributions from Jeremy Deller, Mark Leckey, Linder, Cory Arcangel and many more.
Over two days in Cardiff, this year’s engage conference examined the relationship between international and grass roots artistic activity. Our correspondent reports from day one.
Previewing this weekend “a high profile open outside of London – organised by artists for artists”.
‘Changin’ Scotland – The Role of the Arts, Culture and Identity in Scotland’ looked at how artists and others can influence public policy.
Are there more effective ways to demonstrate the value of artists within culture? And what can we learn from policies in other countries? a-n’s Director reports on current UK developments and looks at approaches in Australia, Canada, Sweden and Norway.
Conjunction 12 is the third edition of Stoke-on-Trent’s contemporary arts biennial. We talk to artist and curator Anna Francis and to Bethan Lloyd Worthington, one of this year’s commissioned artists.
Recent decisions on business rates relief due to central government cuts are threatening the future of two studio and gallery spaces in Liverpool.
Following a series of events this weekend, New Work Network (NWN) is to close. Director Orlagh Woods discusses NWN’s achievements over its fifteen year history, its closure and the future for artists working within ‘pioneering practices’.
Alternative insights into the visual arts, with fast-paced news, comment, debate.
Get in touch
[email protected]
a-n offers a range of memberships for individuals and groups – from £38 annually – find out more.
Supported by:
