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The interactive map of artist-led organisations across the UK aims to capture the diversity of the arts ecology, while also aiding development of self-inititiatives. Jack Hutchinson reports.

British Art Show 8 opens in Leeds on Friday 9 October and the city – currently bidding to be European Capital of Culture 2023 – is responding with a raft of additional activity. Leeds-based writers and artists Amelia Crouch and Lara Eggleton report on what the city’s homegrown and artist-led organisations are up to as Leeds City Council throws its support behind a showcase of the city’s buoyant visual arts scene.

An ambitious new artist-led festival is taking place across Manchester and Salford this weekend, with studio spaces and major venues hosting a number of projects produced especially for the festival alongside, open studios across both cities. Bob Dickinson meets artists and festival directors Elisa Artesero, John Lynch and Roger Bygott to find out more.

Art in Bearpit is a new programme of temporary art works for a public realm, community-led regeneration scheme in Bristol city centre, produced by the artist-led group Hand in Glove. Pippa Koszerek reports.

Sovay Berriman’s latest, self-funded project will take her to Mongolia and Australia searching for ‘markers and boundaries of experience’ in desert landscapes, and researching the correlation between those landscapes and the narratives of the people that inhabit them. We spoke to the artist as she prepared for the first leg of her journey.

After last year’s hiatus, the artist-focused art fair returns to London during Frieze week, offering a snapshot of grassroots practice in 2013. We find out more from Sluice co-director Karl England and talk to some of this year’s participants.

Artist and a-n member Lindsey Mendick speaks to Ellen Wilkinson about collaboration, restlessness and starting her own gallery.

Students at Camberwell College of Art have collaborated with artist Jerome. on a series of artworks to celebrate World Art Day 2023.

A new podcast series that explores how artists make a living.

Exhibition highlights featuring a-n members, including a major ceramics survey in London, trans narratives in Leeds, plus Manchester Contemporary.

Exhibition highlights featuring a-n members, including Kevin Hunt’s first solo show in Plymouth, plus care, repair and reuse at Somerset House.

Creative Scotland is running a £400,000 pilot programme to support five of Scotland’s artist-led spaces to explore the best ways to sustain artist-run and collectively organised activity. Glasgow-based artist and writer Jessica Ramm considers the questions that will be asked.

As part of their Bank Job project in Walthamstow, Hilary Powell and Dan Edelstyn have printed ‘money’ and bonds as a way to write off personal debt in the community. Artist Alistair Gentry, who has been involved in the initiative, talks to them as they prepare for a symbolic ‘Big Bang’ event in the City.

Paul Eastwood uses video, writing and drawing to conjure things into existence, framing art as a form of social production and cultural storytelling. Throughout last year he worked on the ambitious project Dyfodiaith, which saw him create a new hybrid language from the Brythonic vernacular. Richard Taylor finds out more.

Appau Jnr Boakye-Yiadom is one of three artists exhibiting in the Jerwood Solo Presentations 2019 exhibition at Jerwood Space, London. He tells Lydia Ashman how his installation draws on the nine colours featured in Hieronymus Bosch’s The Garden of Earthly Delights while also featuring footage from Russ Meyer’s sexploitation film, Up!

What does 2019 have in store in terms of exhibitions, art fairs, festivals, conferences and other events? We take a month-by-month look at what the year ahead has to offer.

For the latest in our ongoing series looking at the visual arts across the UK, Cardiff-based artist Freya Dooley provides a tour of her home city’s lively and supportive scene.

Newcastle-based Mani Kambo uses religious rituals inspired by her Sikh upbringing in work that straddles film installation and performance, as well as screenings and cyanotype printing. Richard Taylor talks to the artist, who is one of 25 a-n members recently awarded a mentoring bursary.

With the brand new V&A Dundee set to open this weekend on the banks of the River Tay, Dundee-based artist Valerie Norris introduces the city’s lively visual arts community for the latest in our ongoing series looking at art scenes around the UK.

The £4.5million gallery space designed by Turner Prize-winning architects Assemble opens to the public on Saturday in a redeveloped Grade-II listed building in New Cross, south London. Jack Hutchinson takes a tour of the gallery’s inaugural Mika Rottenberg exhibition and talks to director Sarah McCrory.

Blackpool is one of the most deprived areas in the UK, so what challenges does that bring for the gallery’s new curator, formerly co-director of Manchester’s The International 3 gallery and Manchester Contemporary art fair? Laura Robertson visits the seaside town to find out.

Founded in 2014 and inspired by the busy schedule of the Newhaven–Dieppe ferry, the diep~haven project sees artists exhibiting across Normandy and East Sussex as well as the ferry itself. As this year’s festival launches, Dany Louise talks cross-Channel collaboration and life after Brexit with the projects creators and artists.

While its spread-out nature presents plenty of challenges for artists and galleries in the counties of Carmarthenshire, Pembrokeshire and parts of Ceredigion, west Wales nevertheless has a lively and varied visual arts scene. For the latest in our ongoing series, Bob Gelsthorpe provides a snapshot of current activity.

A new contemporary art space in Liverpool run by The White Pube co-founder Gabrielle de la Puente is bucking the art world trend for internationalism by only exhibiting work from artists and other creatives living in or from the Merseyside region. Laura Robertson reports.

For the latest in our ongoing Scene Report series, Preston-based artist Martin Hamblen provides a tour of the city’s visual arts activity and asks whether the much vaunted ‘Preston Model’ of inward investment stretches to investing in the artists living and working in the area.