The seventh edition of Fermynwoods’ annual online exhibition features two UK-based American artists whose work has resonances with the current political situation in the US. Jack Hutchinson speaks to Anna Brownsted and Jessica Harby about the anger, despair and anxiety fuelling their approach.
With solo exhibitions at Spike Island and Modern Art Oxford, and archival work in a new group show at Nottingham Contemporary focusing on Black British art from the 1980s, Lubaina Himid’s paintings and installations are attracting both critical and popular acclaim. Fisun Güner talks to her about politics, migration, and taking on the art establishment.
With scrutiny of the government’s Brexit plans intensifying as Theresa May’s end of March deadline for triggering Article 50 to leave the EU gets nearer, artists are responding to the uncertain climate in a variety of ways. Pippa Koszerek, who as an artist is herself involved in Brexit-related events, takes a look at some forthcoming projects.
What makes a city an art market centre? Hosted by The Manchester Contemporary in September 2016, the Fair Cities symposium brought together a number of speakers to discuss the ecologies and infrastructure of developed art markets in the key cities of Basel, Brussels and London. As a partner in the event, a-n captured the insights of these international art world professionals to produce a new set of video resources.
As a-n/AIR’s Paying Artists campaign prepares for the launch of its Exhibition Payment guide on Wednesday 12 October 2016, we take a look at some of the key moments in the campaign’s history, highlighting the rich and varied dialogue with artists and the wider visual arts sector that has informed its recommendations.
Serf, the latest addition to Leeds’ expanding workspace scene, offers much more than studio space for artists – it provides a support structure for early career artists at a crucial time in their development. Lara Eggleton reports.
The Salford-based artist Maurice Carlin hopes to use his time as the first-ever Clore Visual Artist Fellow to, among other things, “change perceptions… of what it means to be an artist”. He shares his thoughts on the fellowship, its personal and wider significance, and why artists – and the artist-led sector in particular – need to recognise the importance of good leadership.
In the latest instalment of her monthly column on artists’ books, Sarah Bodman looks at two artists whose publishing practice sees them exhibiting at major upcoming events in the USA.
Pippa Koszerek talks to artist Beth Collar about how a 2014 residency at Glasgow Women’s Library has influenced the sculptures that she is currently showing in the Tall Tales national touring exhibition.
The Live Art Development Agency presents 20 artist-led projects around the UK for DIY 13, a professional development programme for and by artists. Lydia Ashman finds out more.
After seven months of development by East Street Arts, Art Hostel in Leeds is open for business. Lara Eggleton tests out the sleeping facilities and reviews the specially commissioned artworks, decor and furnishings.
AirSpace Gallery in Stoke-on-Trent is celebrating 10 years of artist-led activity amidst the shifting environment of the city’s post-industrial regeneration. a-n Writer Development Programme participant Anneka French talks to its directors and takes a look at the gallery’s ten-strong birthday show.
The Syllabus is a nomadic artist development programme billed as an alternative to formal art education. At its half-way stage, Anneka French speaks to the project’s organisers, artist Andy Holden and Wysing Arts Centre, and to two of the ten participating artists.
What does 2016 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.
When a change of government in the Netherlands reversed years of generous state support for the arts, Rune Peitersen got together with other artists to challenge anti-artist rhetoric and argue for fair pay and support for artists and arts organisations. He talks to artist and AIR Council member Joseph Young about Platform BK, the small but dynamic organisation he co-founded five years ago.
It’s been a busy and fruitful year for a-n/AIR’s Paying Artists campaign, with plenty of activity across the UK and internatioanally. Paying Artists Project Manager Julie McCalden looks back over 2015.
As the art world descends on London for the 13th Frieze Art Fair, we take a snapshot of art fair activity happening across the capital this week.
The fourth British Ceramics Biennial in Stoke-on-Trent comes as the industry in the city is enjoying a modest upturn. Reporting from the city, Bob Dickinson finds plenty of evidence of ceramic creativity alongside well-founded concerns over the loss of traditional industrial skills.
Now in its third year, London’s Art Licks Weekend continues to expand beyond its south east beginnings, and this year features an increasing number of venues in the south west of the city. Pippa Koszerek speaks to the two artists behind Streatham Hill’s DOLPH projects, who will be sharing the ‘secrets’ of their practice during the four-day festival.
The inaugural Plymouth Art Weekender presents work across the city by over 400 local, national and international artists. Artist and AIR Council member Steven Paige welcomes this audacious new festival and looks at how the city’s visual art ecology has developed in the five years since British Art Show 7.
Last year, artist and curator Emma Sumner took a research trip to India which saw her visit an extensive network of organisations at the heart of this vast country’s contemporary art scene. Here she highlights three of them and explores what can be learnt from their approach to art and funding.
Over the course of this year’s Manchester International Festival, the top floor exhibition space of the Manchester Art Gallery will be occupied by Ed Atkins’ Performance Capture, a durational project revolving around the ongoing production of a single computer-animated video. Luke Healey takes a tour of the exhibition and speaks to the artist.
Just because you’re not officially in the Venice Biennale doesn’t mean you can’t be part of the frenzy of activity taking place across the city. Pippa Koszerek highlights some of the alternative and artist-led events taking place during and beyond the Biennale’s three-day preview.
In the lead up to artist-led Transition Gallery’s latest exhibition, which features works by six recent British School at Rome residency holders, we speak to artist and curator Cathy Lomax about her reasons for reconnecting with fellow residency holders, and to Archie Franks and Ursula Burke about the impact the residencies had on their practice.
Artist-led gallery and studio space The Royal Standard is hosting a quick-fire series of exhibitions by 26 studio members over three weeks. Laura Robertson reports on an exciting opportunity for artists in Liverpool.