Photography - Page 22 of 24 - a-n The Artists Information Company

Abbie Hoffman
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PICTURED #12: AMC Journal Issue 7, The Great Refusal

For the latest instalment in our series on art books, Tim Clark is in awe of AMC Journal Issue 7, The Great Refusal, a document of post-World War II protest that simultaneously reveals the birth of new forms of hedonism.

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Lorenzo Vitturi, A Dalston Anatomy
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PICTURED #11: Lorenzo Vitturi, A Dalston Anatomy

Continuing our series on art books, Tim Clark is blinded by Lorenzo Vitturi’s A Dalston Anatomy, a vibrant and kaleidoscopic look at London’s Ridley Road Market that blends photography, sculpture and collage.

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Gasoline
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PICTURED #10: David Campany, Gasoline

Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.

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Simon Menner
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PICTURED #8: Simon Menner, Top Secret

For the latest instalment in our series on art books, Tim Clark pulls Simon Menner’s new publication, Top Secret, off the shelf and reflects on photographs from the Stasi archive that document the surveillance work of the former East Germany.

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Aleix Plademunt
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PICTURED #7: Aleix Plademunt, Almost There

Continuing our series on art books, Tim Clark savours the beautiful simplicity of Aleix Plademunt’s Almost There, a galaxy-spanning journey into the photographer’s physical existence.

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Marion Gronier, Glorious.
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PICTURED #6: Marion Gronier, Glorious

Continuing our series focusing on visually-rich art books, Tim Clark picks up Marion Gronier’s Glorious, a collection of colour portraits of travelling circus performers, and finds an intense and intriguing study of human presence.

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Simoneau Guillaume
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PICTURED #5: Guillaume Simoneau, Love and War

For the fifth part in our series that highlights visually-rich art books, Tim Clark sits down with Guillaume Simoneau’s recently published Love and War, and ponders the complex and overlapping narratives of a female soldier fighting in the Iraq war and a love story gone awry.

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Tom Lovelace
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PICTURED #4: Tom Lovelace, Work Starts Here

For the fourth edition in our new series exploring visually-rich art books, Tim Clark reflects on the performative life and real-time experience of photographs in Tom Lovelace’s publication, Work Starts Here.

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Les Rencontres d’Arles 2013
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Les Rencontres d’Arles 2013: Back to Black

The 44th edition of the pioneering photography festival – Les Rencontres d’Arles – held annually in the south of France is now underway, and despite its strange curatorial proposition still continues to enthral audiences. Tim Clark reports back from the opening week.

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Rinko Kawauchi
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PICTURED #3: Rinko Kawauchi, Ametsuchi

For the third instalment of our series looking at visually rich art books, we consider the delicate and meditative works of Japanese photographer Rinko Kawauchi, on the occasion of her latest book – Ametsuchi – published by Aperture.

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Laurent Grasso
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PICTURED #2: Laurent Grasso, Specola Vaticana

Continuing our new series on visually-rich books, Tim Clark turns his attention to historic images of popes and bishops looking through telescopes in the Vatican Observatory, featured in the publication Curiosity: Art and the Pleasures of Knowing, which accompanies the exhibition of the same name.

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Brett Rogers
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The Photographers’ Gallery unveils young patrons group

A new membership scheme from The Photographers’ Gallery aiming to nurture the next generation of art collectors and philanthropists, launches tonight. We talk to Director Brett Rogers about the project, and about future prospects and challenges as the organisation celebrates the first anniversary of its reopening.

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Platon
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PICTURED #1: Richard Mosse, The Enclave

In the first of a new series focusing on visually-rich art books and publications, Tim Clark looks at the disturbingly sublime images of the photographer Richard Mosse, whose images from wartorn Congo are currently showing in Venice and are to be featured in a 240-page book from Aperture.

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Print
Blog Artist

Who do I think I am?

On Self-Portraiture, a collaboration between Brook Hobbins, a sculptor and myself.

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Adam Broomberg and Oliver Chanarin
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Deutsche Börse Photography Prize 2013

The Deutsche Börse Photography Prize 2013 has opened at The Photographers’ Gallery in London and offers the most expanded view of what photography is, or can be, since its inception.

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