Photography - Page 22 of 24 - a-n The Artists Information Company

Richard Mosse
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Review: Deutsche Börse Photography Prize 2014

It’s not exactly a vintage year for the highly-coveted Deutsche Börse Photography Prize, hosted by The Photographers’ Gallery, but one shortlisted artist in particular makes a bold statement for the award.

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Natasha Caruana
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First Person Plural: the photographer in the age of social media

The First Person Plural conference at London’s Media Space set out to reflect on the legacy of photographer Tony Ray-Jones and examine issues associated with photography in the digital age, while also speculating on the medium’s future. Tim Clark reports from the one-day event.

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Memorabilia, Arion Gábor Kudász
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PICTURED #19: Arion Gábor Kudász, Memorabilia

Published on the occasion of his exhibition at the Hungarian House of Photography in Budapest, Arion Gábor Kudász’s new monograph maps the logic of memory through a photographic exploration of his late mother’s personal belongings.

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Guido Guidi.
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PICTURED #17: Guido Guidi, Veramente

For the latest instalment of our regular Pictured series focusing on art books, Tim Clark reflects on Veramente, the career-spanning monograph from pioneer of new Italian landscape photography, Guido Guidi.

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Andrew Norman Wilson
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Photo50: “Most of the artists did not actually use a camera.”

For this year’s London Art Fair, Edel Assanti gallery has been invited to guest curate Photo50, focusing on the distinction between the material and the digital. We catch up with co-director Jeremy Epstein to learn more about the aesthetic dialogues they plan to draw out and the huge changes they are witnessing in the medium of photography.

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Anders Petersen
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PICTURED #15: Anders Petersen

For the first instalment of our Pictured series for 2014, Tim Clark picks up the weighty monograph from legendary Swedish photographer, Anders Petersen, and is blown away by its raw photographs that are brimming with kindness and fury, beauty and abjection.

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Paul Salveson
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PICTURED #14: Paul Salveson, Between the Shell

Continuing our series on visually rich art books, Tim Clark takes a peek inside Paul Salveson’s Between the Shell, winner of the First Book Award 2013, and discovers an unexpected and absurdist upheaval of everyday environments.

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Lorenzo Vitturi
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Top ten: the best photo books of 2013

Tim Clark, who writes a-n’s fortnightly PICTURED column, provides a rundown of the ten visually rich art books that have piqued his curiosity during 2013.

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Marie Angeletti
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PICTURED #13: Marie Angeletti, HOTEL 11a 1bis

For the latest in our series on art books, Tim Clark turns his attention to Marie Angeletti’s HOTEL 11a 1bis, an ambiguous and uneasy decontextualisation of the surfaces and spaces of the Crowne Plaza hotel in Shoreditch.

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Abbie Hoffman
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PICTURED #12: AMC Journal Issue 7, The Great Refusal

For the latest instalment in our series on art books, Tim Clark is in awe of AMC Journal Issue 7, The Great Refusal, a document of post-World War II protest that simultaneously reveals the birth of new forms of hedonism.

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Lorenzo Vitturi, A Dalston Anatomy
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PICTURED #11: Lorenzo Vitturi, A Dalston Anatomy

Continuing our series on art books, Tim Clark is blinded by Lorenzo Vitturi’s A Dalston Anatomy, a vibrant and kaleidoscopic look at London’s Ridley Road Market that blends photography, sculpture and collage.

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Gasoline
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PICTURED #10: David Campany, Gasoline

Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.

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Simon Menner
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PICTURED #8: Simon Menner, Top Secret

For the latest instalment in our series on art books, Tim Clark pulls Simon Menner’s new publication, Top Secret, off the shelf and reflects on photographs from the Stasi archive that document the surveillance work of the former East Germany.

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Aleix Plademunt
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PICTURED #7: Aleix Plademunt, Almost There

Continuing our series on art books, Tim Clark savours the beautiful simplicity of Aleix Plademunt’s Almost There, a galaxy-spanning journey into the photographer’s physical existence.

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Marion Gronier, Glorious.
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PICTURED #6: Marion Gronier, Glorious

Continuing our series focusing on visually-rich art books, Tim Clark picks up Marion Gronier’s Glorious, a collection of colour portraits of travelling circus performers, and finds an intense and intriguing study of human presence.

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