An artist placement at manufacturer Ritherdon & Co Ltd, taking place between Feb 2019 – Feb 2020. A development from an Art in Manufacturing 2 residency for the National Festival of Making 2018. Supported using public funding by the National Lottery through Arts Council England.
Visual Arts in Rural Communities hosts residencies in the remote hill-farming area of Tarset in Northumberland. In August 2018, the organisation piloted its first residency for a disabled artist. Lydia Ashman speaks to Project Director Janet Ross and artist, curator and disability advocate Aidan Moesby about the development of the pilot and its impact on the organisation’s programme.
Based in Wakefield, visual arts development agency The Art House continually explores ways to work with artists who face barriers to their practice. Its residency programme supports artists at different stages of their career and is shaped around individuals’ needs. Lydia Ashman speaks to Programme Producer Simon Boase and artist Rosanne Robertson about the tailored support the organisation provides to artists.
Who’d have thought it would be so difficult to make more art? The problem arises when scale and ambition outgrow workspace. So my NYR#1: Make More Art! starts with a concerted effort to find bigger spaces to work in during […]
SUNDAY 13 JANUARY 2019 Got up, packed, wrote a secret thank you note for my hosts to find after I’ve gone which I left in my room (I wonder if they’ve found it yet?), and went downstairs for breakfast. David […]
SATURDAY 12 JANUARY 2019 I went downstairs on Saturday morning to find this spread that Lily had laid out that would make any B&B proud – pot of tea, croissants, fruit, yoghurts, jams, mini packs of cereal in a bowl… […]
FRIDAY 11 JANUARY 2019 I was at work all day that day – facilitating an art group in the morning and then in the office during the afternoon. I left work to embark the hour and a bit drive to […]
How do I even begin to explain? Honestly. Last weekend (11-13 January 2019) I officially began my UNION journey. I’ve been looking forward to it starting for ages even though I wasn’t sure to expect in the slightest. The first […]
I have resisted bronze until now, worrying about the weight of history it carries and the fact it is so often overused – an automatic ‘go-to’ to add perceived value, whether or not the material is appropriate or needed. But […]
Plain bronze colour is pale pink to yellow, depending on the type of bronze used. A patina is simply a dye or chemical reaction added, with heat, to the surface to change the colour. It is then sealed with a […]
I wanted to cast a sim card as part of my thinking about data and how the objects and memory is stored. A bit tricky but one worked.
https://vimeo.com/295367658
Thoughts on bronze during my course and residency at the Scottish Sculpture Workshop, funded by A-N Artist Bursaries 2018. www.clareburnett.net
Even after all these years I still feel that every time I make a piece of work or undertake another project, I learn something new… about myself, about my practice, about the way I make my work. Now at the […]
I did my guided tour / performance-lecture yesterday afternoon to a crowd of people who had booked on via the Brighouse Arts Festival website, free. There was a nice mix of familiar art scene faces and new people as well […]
Glancing back at my “Day 1” blog post, it was strange to see the beginnings of my plan for the Once In A Universe residency and compare it with this much more developed section of the plan which eventually acted as a […]
Yesterday was installation day. The blue baize boards had arrived and been put into position. I put the velcro on the back of my prints and decided which order they should go in, to the soundtrack of the piano being […]
It’s my exhibition opening at Brighouse Library on Saturday! I’ve been working flat out all weekend and juggling exhibition prep with prep for another event I’m doing on Thursday: Interchange. I got my publication off to print on Friday, postcards […]
I sent 8 x A3 prints to the printers on Tuesday and spent yesterday writing and compiling a 24 page booklet to accompany my exhibition. It’s had two checks so far with some bits and pieces like typos corrected and […]
“Argillaceous Marl contains from 68 to 80 per cwt. of clay, and consequently from 32 to 20 per cent. of aerated calx. Its colour is grey or brown, or reddish brown, or yellowish or bluish grey. It feels more unctuous than the […]
Yellow ochre, FeO(OH)·nH 2O, is a hydrated iron hydroxide (limonite) also called gold ochre. From wikipedia: In Ancient Egypt, yellow was associated with gold, which was considered to be eternal and indestructible. The skin and bones of the gods were […]
It’s my last week on site already! I started off at the skips and found a chair in mustard yellow. There were a lot of house clearances today and items included this rusty umbrella, a folding table and a ceramic […]
