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Glancing back at my “Day 1” blog post, it was strange to see the beginnings of my plan for the Once In A Universe residency and compare it with this much more developed section of the plan which eventually acted as a record of my progress during 10 working days at DC1.

More than 12 years ago I embarked on my first ever residency, Watch This Space at Phoenix Brighton, working for six weeks in the public gallery spaces with people popping in to see the work as it progressed. It’s always been a productive way of working for me: a fixed amount of time, an empty space, and opportunities for conversation about the work – it all adds up to a stimulating experience. My two week residency at Devonshire Collective has been as productive as expected and with the support of mentors who have advised me throughout the whole project, it has been an opportunity to make a real leap in my practice.

Skills and strategies learned during all of those 12 years and more have re-surfaced in interesting ways during the last two weeks. Old mapping and drawing techniques  with sticky tape on the walls and floor are echoes of that residency in the Phoenix galleries.

Other features of previous installations have crept in to this new work too: the merging of wall and floor based works into a single installation, grids and lines which navigate or define the space, light, sound and movement: these are all devices I have used before. They  now feel like tools, resources I can draw upon to make new configurations, part of my growing repertoire.

Yesterday photographer Jonathan Bassett came to photograph the work before I took it all down. His precision and painstaking approach was fantastic and his enthusiasm for the work was encouraging. Now I can’t wait to see the photos, and over the next few days and weeks film-maker Anna Winter  will be editing the footage she has captured throughout the project to make a series of short films for me. Time to Watch This Space again.