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A Q&A with… Claire Barclay, artist responding to industrial contexts

For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.

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Dissatisfied with the art world? Then build your own

Build Your Own Art World was a one-day seminar at OSR Projects in Somerset that considered what it means to be artist-led and if there is an alternative to a global gallery system. For Julie McCalden, it highlighted the need for artists to resist the behaviours the art world encourages them to adopt.

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Now Showing #238: The week’s top exhibitions

This week’s selection of recommended shows includes: Linder’s photomontage in Nottingham, the AV Festival in Newcastle and Gateshead, film essays in London, painted linguistics in Edinburgh, and polymorphous milk in Birmingham.

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Conserving contemporary art: practice, theory and the Documenta institute

In the midst of a growth in performative and participatory art at international art biennials, Documenta recently confirmed the site of a new permanent institute in Kassel. Inspired by an academic conference on conserving contemporary art, Laura Harris assesses the challenges the institute faces in a climate where the experiential is increasingly taking precedence over the art object.

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Degree Shows 2017: This week’s openings, 18-22 May

This week’s selection, taken from the a-n Degree Shows Guide 2017 listings, features 10 shows opening across England, Wales and Scotland, and includes University of Worcester, Dundee University, the Slade, and Swansea College of Art

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