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A Q&A with… Laura Purseglove, project curator, Art and Christianity Enquiry Trust

As a member of Artangel’s production team, Laura Purseglove is used to site-specific working and navigating the complexities of staging art projects in historic buildings. All of which will be useful experience for her role at ACE Trust, where over the next two years she will be developing a programme of exhibitions and commissions for churches and cathedrals throughout the UK. Pippa Koszerek finds out more.

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Artangel at Reading Prison: “Powerfully engaging and profoundly moving”

‘Inside: Artists and Writers in Reading Prison’ is the latest project from arts producers Artangel and sees artists including Marlene Dumas, Steve McQueen, Wolfgang Tillmans and Nan Goldin exhibiting works in the former jail which, from 1895 to 1897, included Oscar Wilde amongst its inmates. Fisun Güner reports on an ambitious and moving exhibition.

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In Brief: other news this week

A weekly briefing featuring national and international art news, including: Banksy’s Spy Booth is feared destroyed, Chicago judge rules in Peter Doig artwork trial, and serious earthquake damage to Italy’s artistic heritage.

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Review

Invisible Achievements

Venice is without doubt one of the biggest and most important Contemporary art events in the calendar. Every year the Biennnale seems to get bigger as more and more countries join together with the curated projects and larger gallery exhibitions. […]

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Blog Post

reflection #8

i return quickly to add another reflective post because i’ve realised the importance of helping others to understand what it is i do. there is a slight paradoxical situation here. for the wider audience i’ve already set myself out as […]

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Peter Heslip
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Peter Heslip: “The public need to understand and value the work artists do”

Peter Heslip, Arts Council England’s new Director of Visual Arts, oversees a portfolio of 144 funded visual arts organisations and leads on museum funding in London. Two months into his new job, and on his first day in the office after a trip to Venice, we talk to him about supporting artists, communicating with the public and the realities of the current funding environment.

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