The Centre is Here symposium saw representatives of alternative art schools presenting their visions for art education. Kathryn Ashill, who starts an MA at Glasgow School of Art in September, found plenty to take on board as she prepares to embark on her course.
a-n Artists Council has initiated a 12-month research and development project that will explore the role of the artist in society and advocate for how artists and art organisers can effectively work for change. Lead artists Rachel Dobbs and Glen Stoker speak to Jack Hutchinson about the project and how the Covid-19 pandemic has impacted their plans.
Selected by artists Rana Begum, Sonia Boyce and Ben Rivers, the open submission exhibition will launch at Leeds Art Gallery in September before moving to South London Gallery.
Rana Begum, Sonia Boyce and Ben Rivers will select new and recent fine art graduates for the latest edition of the annual, nationally touring exhibition.
The Salford-based peer-led art school has teamed up with Manchester Metropolitan University for a fully funded research post which will explore alternative school models.
What does 2019 have in store in terms of exhibitions, art fairs, festivals, conferences and other events? We take a month-by-month look at what the year ahead has to offer.
In Brief: News briefing featuring national and international stories including: Artemisia Gentileschi masterpiece becomes only 20th work by a woman owned by National Gallery; Arts Council England launches Impact and Insight Toolkit; artist to receive $3.5m from US Postal Service for copyright infringement; French president Emmanuel Macron to reform country’s artist residencies.
In Brief: News briefing featuring national and international stories including: 10,000 artworks to be moved during Buckingham Palace refurbishment, and Colorado potter in dispute with Elon Musk over use of cartoon without permission.
g39 in Cardiff, PS2 (Paragon Studios / Project Space) in Belfast, Sheffield’s Site Gallery and University of Edinburgh’s Talbot Rice Gallery are the recipients of a new award that encourages emerging artists to stay in local areas after graduating.
The annual open submission exhibition for new and recent graduates will this year launch at Liverpool Biennial before moving to London in December.
With the recent announcement by the Arts Council of Northern Ireland that both QSS and Paragon Studios in Belfast have lost all their annual funding, Damian Magee addresses the impact of the decision on the city’s artist community and argues that it is indicative of a general lack of support for artists living and working in Northern Ireland.
Taking place on Saturday 24 and Sunday 25 March, the artist-run Next Term Festival in Manchester brings together local communities, artists, educators and policy makers to celebrate creativity and debate the future of art in schools.
Save Hertfordshire’s Public Art Collection states that it has until the end of March to stop Hertfordshire Council selling or disposing of 91% of the county’s public art collection – more than 1650 artworks.
This Might Be The Future, funded by an a-n artist-led bursary, stems from AltMFA’s year-long ‘The Future’ programme and features a pleasingly chaotic collection of contributions that AltMFA co-founder Louise Ashcroft describes as a “clear reflection of our values in an object”. Laura Davidson reports.
Arts education professionals and politicians have met as a first step to tackling the structural problems causing the arts to be neglected in many schools. Arts Professional’s Liz Hill reports.
Alongside the launch of its first curated programme, this week Tendency Towards opens its inaugural exhibition – an interdisciplinary showcase of graduate artists from four Scottish art schools. Richard Taylor finds out more about this new artist-run initiative in Scotland’s ‘Granite City’.
Arts Council England’s National Portfolio for 2018-22 includes an overall increase in the number of visual arts organisations receiving funding from 121 to 149. We highlight six organisations who will be joining the portfolio and find out what their new status will mean to them.
A new exhibition and free pop-up summer school from Create London and the William Morris Gallery celebrates the cultural and educational legacy of Walthamstow School of Art, which from 1957 to 1967 became a hotbed of artistic ideas and talent. Lydia Ashman talks to two of the people behind the ‘Be Magnificent’ project.
We pick five of our favourite artist responses to the general election that have been featured on Instagram, including a print at home poster and a game pitching Corbyn vs May.
Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.
In response to a call out earlier this year that sought proposals exploring how artists and artists’ groups adapt to navigate turbulent cultural and political landscapes, six artist-led groups have been awarded bursaries to develop their research.
Three high-profile artists have been announced as the selectors for the annual New Contemporaries exhibition, which showcases new artists from UK art schools.
This year’s Compass Festival of live art features 18 events, many of which have walking at their heart as performers and participants infiltrate and interact with the city around them. Lydia Ashman finds out more from the festival’s director and some of the artists taking part.
As the New Art Gallery Walsall, opened in 2000 and home to the Garman Ryan Collection of over 300 Jacob Epstein sculptures, is threatened with closure, the artist Bob and Roberta Smith expresses his dismay at its possible demise.
From community university partnerships to practice-based PhDs and tenured teaching posts, a new set of resources developed for a-n by artist Steve Pool identifies some key ways artists are working within higher education, and considers the value of such relationships to both artists and institutions.
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