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a-n member Kathryn Maple speaks to Andrew Thompson about what it means to win the prize, and finding inspiration during lockdown.

London’s largest free contemporary art festival returns with a programme of exhibitions and events, taking place over one night and two locations, Walthamstow and King’s Cross. Curator Helen Nisbet and artists Emma Talbot and Joe Namy explain what to expect.

What does 2019 have in store in terms of exhibitions, art fairs, festivals, conferences and other events? We take a month-by-month look at what the year ahead has to offer.

Want to avoid the high street this Christmas and support artists and visual arts organisations instead? Jack Hutchinson offers 10 ideas to get you started, from limited edition prints to Brexit sick bags.

The tenth edition of the Liverpool Biennial has just opened with its theme ‘Beautiful world, where are you?’ offered as a chance to reflect upon global uncertainty and change. Bob Dickinson reports from the opening weekend when, amid news of Trump’s visit to the UK and the protracted Brexit negotiations, the notion of a world in social, political and economic turmoil seemed especially pertinent.

For ‘A Woman’s Place at Knole’, six female artists including 2017 Turner Prize winner Lubaina Himid have responded to the usually hidden, gendered stories of an historic National Trust property in Kent to produce artworks that span painting, sculpture, film and online. Judith Alder reports.

For his exhibition, ‘CAPSID’, John Walter draws on his time as resident artist of infection at UCL where he collaborated with structural virologist Professor Greg Towers. Lydia Ashman finds out how his focus on a protein shell that enables the rapid transmission of viruses has resulted in a riotous, playful mix of film, painting, collage and installation.

A new contemporary art space in Liverpool run by The White Pube co-founder Gabrielle de la Puente is bucking the art world trend for internationalism by only exhibiting work from artists and other creatives living in or from the Merseyside region. Laura Robertson reports.

For the latest dispatch in our ongoing Scene Report series, artist, curator and founding director of the Coventry Biennial of Contemporary Art, Ryan Hughes, offers a snapshot of visual arts activity in the 2021 UK City of Culture.

The winner of this year’s Turner Prize has had a busy and high-profile 2017, but while the attention has been welcome she explains that her major achievement over the last 12 months has been finding time to make “a serious amount of new paintings”.

This month’s featured blogger on the a-n Instagram is Jack Welsh. Richard Taylor talks to the Liverpool-based artist, writer, producer and educator about juggling multiple projects, writing about other people’s work, and his interest in archival research and book making.

This Christmas, ditch the high street and discover original artworks and handcrafted gifts by independent artists and makers who will be opening their studios or putting up their market stalls at a range of venues throughout the UK.

Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.

For her current show at The Showroom, London-based artist Laura Oldfield Ford has constructed a disorientating visual, textual and sonic journey that draws on her experiences of navigating the gallery’s surrounding area, weaving together multiple voices and alternative histories and futures. Lydia Ashman finds out more.

Built in 1971 and all but abandoned by the cash-strapped local council in 2013, Turnpike Gallery in the former mining town of Leigh near Wigan, is entering a new stage in its history with the creation of a community interest company to run its programme. Natalie Bradbury speaks to arts manager Helen Stalker as the gallery relaunches with the Jerwood Drawing Prize touring exhibition.

As a-n/AIR’s Paying Artists campaign prepares for the launch of its Exhibition Payment guide on Wednesday 12 October 2016, we take a look at some of the key moments in the campaign’s history, highlighting the rich and varied dialogue with artists and the wider visual arts sector that has informed its recommendations.

Turner Prize winning artist Martin Creed has major shows on at Hauser & Wirth Somerset and Park Avenue Armory in New York, has recently played at Glastonbury, and has just released a new album of songs, Thoughts Lined Up. Fisun Güner talks to him about music, art, food phobias and life after Brexit.

In the latest instalment of her monthly column on artists’ books, Sarah Bodman looks at some beautiful publications inspired by the works of the Bard ahead of this year’s Liverpool Artists’ Book Fair.

The artist and professor in Fine Arts, Sonia Boyce, is leading a three-year AHRC-funded research project into British Black artists and modernism in the 20th century. She talks to Laura Robertson about why the work needs to be done and what she hopes to achieve.

Bluecoat Display Centre in Liverpool has announced the six artist designer makers nominated for a new prize and exhibition in memory of the potter Julia Carter Preston. We take a closer look at works by some of the shortlisted artists.

What does 2016 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.

Looking for Christmas present ideas but want to avoid the high street? Why not support artists and/or organisations that promote contemporary art by purchasing unusual or limited edition works online instead. Here’s 10 ideas to start you off, from a 50p badge to a £400 print.

This year’s engage International Conference in Glasgow focused on young people working with art and artists, with a remit to explore the gallery as a school, the importance of cross-disciplinary engagement, and the ethics of peer-led practice. But, as Moira Jeffrey reports, much of the lively and challenging discussion was wide-ranging and off script.

Open exhibitions are becoming an increasingly common aspect of the visual arts landscape, with high-profile big hitters such as the BP Portrait Award and Royal Academy Summer Show joined by a growing number of smaller-scale shows. But with most charging an entry fee and with no guarantee of being included, are artists simply being asked to subsidise the sector with their own money? Jack Hutchinson investigates.

This year’s Liverpool Biennial is the first that director Sally Tallant can really call her own, having arrived in Liverpool only a few months before the 2012 festival. Now with a new, earlier July start date and a refreshed approach, Laura Robertson finds out what has changed at the UK’s biennial of contemporary art.