News feature - a-n The Artists Information Company

Clare Woods, Something Bigger, 2017, Oil on aluminium, 300 x 200 cm. Courtesy: the artist and Simon Lee Gallery London / Hong Kong
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A Q&A with… Clare Woods, painter with a sculptural approach

The Herefordshire-based painter Clare Woods has developed a series of eight large-scale oil on aluminium works for her new show at Warwick Arts Centre’s Mead Gallery, reflecting an ongoing move away from abstraction towards more figurative paintings. Anneka French talks to the artist about scale, process and her photographic source material.

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Rose Wylie in her studio, 2017. Photo:  Joe McGorty; Courtesy: Serpentine Galleries
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A Q&A with… Rose Wylie, painter

Rose Wylie has found critical and commercial success late in life, winning the 2014 John Moores Painting Prize at 80 and her first major exhibition taking place when she was 77. As her show, ‘Quack Quack’, continues at London’s Serpentine Sackler Gallery, the Kent-based artist talks to Fisun Güner about show titles, inspiration and more.

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Open School East co-directors Anna Colin (centre) and Laurence Taylor (right), with  Ayaan Bulale, OSE communications and events manager
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2017 – How was it for you? #8: Anna Colin and Laurence Taylor, co-directors, Open School East

Beginning with a move from East London to Margate, 2017 has been an eventful time for Open School East that has included becoming an Arts Council England National Portfolio Organisation in the 2018-22 funding round. With the accessibility of art education becoming an evermore vital issue for the visual arts, its co-directors look back on their first year by the sea.

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Barby Asante with installation image from The Queen and the Black Eyed Squint, Baltic Centre for Contemporary Arts, November 2017 Photo: Edgar Arceneaux
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2017 – How was it for you? #7: Barby Asante, artist, curator, educator

Barby Asante started the year with work featured in ‘Untitled’ at New Art Exchange, Nottingham and is currently part of the ‘Starless Midnight’ show at Baltic, Gateshead. The London-based artist, who was also part of the Diaspora Pavilion in Venice, reflects on a year of career highs and the tragedy of Grenfell.

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Participants for Grand Union's Curatorial Curriculum 2017. Photo: Grand Union
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2017 – How was it for you? #6: Grand Union, Birmingham

The Birmingham gallery and artists’ studios was added to Arts Council England’s national portfolio this year, marking a new chapter in its development. Programme director Kim McAleese and associate curator Seán Elder map out the before and after of “a pretty incredible year”.

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Layla Curtis, The Thames from London Bridge Arizona to Salt Island British Virgin Islands
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A Q&A with… Layla Curtis, artist and explorer of places

With support from a-n, the London-based artist has launched an online store offering high quality, affordable, limited edition works and publications by artists dedicated to exploring place. Jack Hutchinson talks to her about online sales and research beyond the art world.

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