Art Education - a-n The Artists Information Company
In 2017, New Contemporaries, an annual exhibition of emerging artists from UK art schools, opened up its application to include artists from alternative learning programmes. Director Kirsty Ogg discusses this decision, the changing climate for emerging artists in the UK, and what artists really need to develop and challenge their practice. Interview by Michaela Nettell.
Alternative art education programmes come in a range of formats, from entirely self-organised to more structured offerings. Lydia Ashman hears from seven artists who discuss how they chose a programme which would develop their practice and fit with their lifestyles, and offer advice on selecting the right one for your needs.
Turps Art School was founded in 2012 as a medium-specific art school providing year-long studio and distance learning programmes for painters. Co-founder Marcus Harvey talks to Michaela Nettell about the ideas and values behind the school.
School of the Damned is a free year-long alternative, and unaccredited, art school. Each year a new student group comes on board and collectively devises and develops their programme of learning. Laura Davidson finds out more from members of the founding cohort, Class of 2014, and the Class of 2018 graduating students.
An open letter from the Creative Industries Federation is calling on the government to address a crisis in creative education in English schools.
More News In Brief: Maryland Institute College of Art apologises for racist past; Hertfordshire County Council reveals plans to auction 90% of the works in its collection.
In Brief: news briefing featuring national and international stories including: Art dealer Mary Boone pleads guilty to tax evasion charges; Labour Party pledges to put creativity “back at the heart of the school curriculum”; and New York gallery Greenspon cancels show by alleged Neo-Nazi Boyd Rice.
Tributes have been made for the writer and teacher John Calcutt, who was programme leader of Glasgow School of Art’s influential Master of Fine Art programme from 2007-2017.
Between October 2017 and April 2018 Sally Stenton spent time at Anglia Ruskin University, using its facilities and developing a conceptual work that connected the university’s art and science departments. Pippa Koszerek catches up with the artist to discuss her residency and its impact on her ongoing practice.
The national programme, which this year is delivered in partnership with Wysing Arts Centre, Eastside Projects, Iniva, S1 Artspace, Spike Island, and Studio Voltaire, provides learning for artists over a ten-month period.
In Brief: News briefing featuring national and international stories including: Artemisia Gentileschi masterpiece becomes only 20th work by a woman owned by National Gallery; Arts Council England launches Impact and Insight Toolkit; artist to receive $3.5m from US Postal Service for copyright infringement; French president Emmanuel Macron to reform country’s artist residencies.
The latest updates after Glasgow School of Art’s Mackintosh Building is devastated by fire for the second time in four years. Including: British and Scottish governments pledge to support restoration, Glasgow School of Art contractor previously condemned for fire safety failings, plus were lessons learned from 2014 fire?
As numbness turns to anger following Friday night’s fire at Glasgow School of Art’s Mackintosh Building, Chris Sharratt hopes that the building can rise again after this second even more devastating blaze.
A fire, which appears to be much worse than the one in 2014, has gutted Glasgow School of Art’s Mackintosh building which was set to reopen next year.
Designed by David Chipperfield Architects and costing £56m, the Royal Academy’s newly renovated Burlington Gardens site opens to the public today. Fisun Güner finds that even the toilets are elegant and sculptural.
In Brief: News briefing with national and international stories, including: protesters occupy Brooklyn Museum to highlight issue of gentrification and decolonisation; French museum discovers most of its collection are counterfeit works; Grimsby-based artist Annabel McCourt to present site specific performance at Dakar Biennale.
Taking place on Saturday 24 and Sunday 25 March, the artist-run Next Term Festival in Manchester brings together local communities, artists, educators and policy makers to celebrate creativity and debate the future of art in schools.
This Might Be The Future, funded by an a-n artist-led bursary, stems from AltMFA’s year-long ‘The Future’ programme and features a pleasingly chaotic collection of contributions that AltMFA co-founder Louise Ashcroft describes as a “clear reflection of our values in an object”. Laura Davidson reports.
Taking its inspiration from the 1940s’ School Prints project featuring works by artists such as Picasso and Henry Moore, prints by Martin Creed, Jeremy Deller, Anthea Hamilton, Helen Marten, Haroon Mirza and Rose Wylie will be sold to fund learning programme that will help children engage with art.
Beginning with a move from East London to Margate, 2017 has been an eventful time for Open School East that has included becoming an Arts Council England National Portfolio Organisation in the 2018-22 funding round. With the accessibility of art education becoming an evermore vital issue for the visual arts, its co-directors look back on their first year by the sea.
Looking for art-related books for Christmas gifts? Here’s eight ideas, including a phenomenal and phenomenological novel, a sumptuous survey of contemporary clay and ceramics, and an international exploration of artist-run art schools.
The annual exhibition, which has showcased work by new and recent fine art graduates since 1949, has announced that 2018 submissions will be open to artists from non-degree awarding art education programmes.
Entries for GCSE arts subjects are down 9% on 2016, while entries for EBacc subjects are up 9% in the same period. Arts Professional’s Christy Romer reports.
A new exhibition and free pop-up summer school from Create London and the William Morris Gallery celebrates the cultural and educational legacy of Walthamstow School of Art, which from 1957 to 1967 became a hotbed of artistic ideas and talent. Lydia Ashman talks to two of the people behind the ‘Be Magnificent’ project.