Black British art - a-n The Artists Information Company

Helen Cammock
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A Q&A with… Helen Cammock, artist shortlisted for Max Mara Art Prize for Women

The artist Helen Cammock’s exhibition ‘Shouting in Whispers’ at Cubitt Gallery, includes an hour-long film of the same title that features historical footage of protest and explores the idea of multiple histories. Fisun Güner talks to her about photography, the importance of words in her work, and discovering the writing of James Baldwin.

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Kimathi Donkor
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A Q&A with… Kimathi Donkor, Diaspora Pavilion artist at Venice Biennale 2017

London-based artist Kimathi Donkor is among 12 artists featured in the Diaspora Pavilion at this year’s Venice Biennale, presented by the International Curators Forum and University of the Arts London. He talks about the importance of the British black arts movement in the 1980s, history painting, and the idea of diaspora.

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Keith Piper, Unearthing the Banker’s Bones, 2016, film still. A 70th anniversary commission for the Arts Council with Bluecoat and Iniva. © the artist
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A Q&A with… Keith Piper, artist, filmmaker, and cultural archaeologist

Keith Piper’s exhibition at New Art Exchange, ‘Unearthing the Banker’s Bones’, explores the idea of what our society’s relics might look like from a future perspective. The founder member of the BLK Art Group talks to Wayne Burrows about the themes contained within the work and the continued importance of political and social questions to his practice.

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Sonia Boyce, Eastside Projects, Birmingham. Photo: George Torode; Courtesy: the artist and Eastside Projects
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A Q&A with… Sonia Boyce, artist, academic, and improviser

With a solo show at ICA and as part of a group exhibition at Eastside Projects, Sonia Boyce is exploring ideas around play, improvisation and sculpture – including a collaborative project with ukuele-playing skateboarders. Anneka French talks to the artist during the first of two lively, nerve-wracking performances in Birmingham, as skaters fly by and instruments are played.

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Saziso Phiri, founder of The Anti Gallery, Nottingham. Photo: Helen Kennedy
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The Anti Gallery, Nottingham: “Galleries still often feel like very white, middle-class spaces”

Saziso Phiri is celebrating one year of her pop-up gallery with a birthday party at Nottingham’s Rough Trade shop, followed by a series of free workshops in tandem with Nottingham Contemporary’s ‘The Place is Here’ show. Wayne Burrows talks to her about her mission to work with artists who operate beyond the usual art world structures.

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Lubaina Himid, photographed at Invisible Strategies exhibition, Modern Art Oxford, 2017. Photo: Edmund Blok
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A Q&A with… Lubaina Himid, painter and British Black Arts Movement pioneer

With solo exhibitions at Spike Island and Modern Art Oxford, and archival work in a new group show at Nottingham Contemporary focusing on Black British art from the 1980s, Lubaina Himid’s paintings and installations are attracting both critical and popular acclaim. Fisun Güner talks to her about politics, migration, and taking on the art establishment.

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Larry Achiampong. Photo: Adrien Thibault
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A Q&A with… Larry Achiampong, artist exploring the Black diaspora

Working in a wide-range of media from film to sculpture to performance, London-based artist Larry Achiampong draws on colonial history, his own Ghanian heritage, and the experience of growing up in Britain to create works that explore ideas around class, race and cultural identity. Wayne Burrows talks to him.

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John Akomfrah with artwork Auto Da Fé, Artes Mundi 7 exhibition, October 2016. Photo: Artes Mundi
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A Q&A with… John Akomfrah, artist and filmmaker

One of six artists shortlisted for this year’s Artes Mundi prize, John Akomfrah is known for his beautifully-shot film installations that tackle big themes such as race, cultural identity, migration and post-colonialism. Fisun Güner talks to him.

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Hurvin Anderson, painter
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A Q&A with… Hurvin Anderson, painter

Ranging from painterly abstraction to figurative interiors and landscapes, Hurvin Anderson’s solo exhibition at New Art Exchange, Nottingham, expands on two long-standing motifs of the barbershop interior and the municipal park landscape and includes his Arts Council Collection commission, Is It OK To Be Black? Wayne Burrows talks to the artist.

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Blog Post

Black Art in Britain.

Settled series; An Essence of G, Uncle, 2011 oil on canvas, Loleithaart One Sunday afternoon, as I visited my Uncle and family, we were all chilled out after our lovely meal of chicken, rice and peas, mac and cheese, roast […]

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