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Guido Guidi.
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PICTURED #17: Guido Guidi, Veramente

For the latest instalment of our regular Pictured series focusing on art books, Tim Clark reflects on Veramente, the career-spanning monograph from pioneer of new Italian landscape photography, Guido Guidi.

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Anders Petersen
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PICTURED #15: Anders Petersen

For the first instalment of our Pictured series for 2014, Tim Clark picks up the weighty monograph from legendary Swedish photographer, Anders Petersen, and is blown away by its raw photographs that are brimming with kindness and fury, beauty and abjection.

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Paul Salveson
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PICTURED #14: Paul Salveson, Between the Shell

Continuing our series on visually rich art books, Tim Clark takes a peek inside Paul Salveson’s Between the Shell, winner of the First Book Award 2013, and discovers an unexpected and absurdist upheaval of everyday environments.

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Marie Angeletti
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PICTURED #13: Marie Angeletti, HOTEL 11a 1bis

For the latest in our series on art books, Tim Clark turns his attention to Marie Angeletti’s HOTEL 11a 1bis, an ambiguous and uneasy decontextualisation of the surfaces and spaces of the Crowne Plaza hotel in Shoreditch.

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Abbie Hoffman
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PICTURED #12: AMC Journal Issue 7, The Great Refusal

For the latest instalment in our series on art books, Tim Clark is in awe of AMC Journal Issue 7, The Great Refusal, a document of post-World War II protest that simultaneously reveals the birth of new forms of hedonism.

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Lorenzo Vitturi, A Dalston Anatomy
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PICTURED #11: Lorenzo Vitturi, A Dalston Anatomy

Continuing our series on art books, Tim Clark is blinded by Lorenzo Vitturi’s A Dalston Anatomy, a vibrant and kaleidoscopic look at London’s Ridley Road Market that blends photography, sculpture and collage.

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Gasoline
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PICTURED #10: David Campany, Gasoline

Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.

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Simon Menner
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PICTURED #8: Simon Menner, Top Secret

For the latest instalment in our series on art books, Tim Clark pulls Simon Menner’s new publication, Top Secret, off the shelf and reflects on photographs from the Stasi archive that document the surveillance work of the former East Germany.

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Aleix Plademunt
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PICTURED #7: Aleix Plademunt, Almost There

Continuing our series on art books, Tim Clark savours the beautiful simplicity of Aleix Plademunt’s Almost There, a galaxy-spanning journey into the photographer’s physical existence.

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Marion Gronier, Glorious.
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PICTURED #6: Marion Gronier, Glorious

Continuing our series focusing on visually-rich art books, Tim Clark picks up Marion Gronier’s Glorious, a collection of colour portraits of travelling circus performers, and finds an intense and intriguing study of human presence.

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Simoneau Guillaume
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PICTURED #5: Guillaume Simoneau, Love and War

For the fifth part in our series that highlights visually-rich art books, Tim Clark sits down with Guillaume Simoneau’s recently published Love and War, and ponders the complex and overlapping narratives of a female soldier fighting in the Iraq war and a love story gone awry.

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Tom Lovelace
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PICTURED #4: Tom Lovelace, Work Starts Here

For the fourth edition in our new series exploring visually-rich art books, Tim Clark reflects on the performative life and real-time experience of photographs in Tom Lovelace’s publication, Work Starts Here.

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Rinko Kawauchi
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PICTURED #3: Rinko Kawauchi, Ametsuchi

For the third instalment of our series looking at visually rich art books, we consider the delicate and meditative works of Japanese photographer Rinko Kawauchi, on the occasion of her latest book – Ametsuchi – published by Aperture.

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Laurent Grasso
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PICTURED #2: Laurent Grasso, Specola Vaticana

Continuing our new series on visually-rich books, Tim Clark turns his attention to historic images of popes and bishops looking through telescopes in the Vatican Observatory, featured in the publication Curiosity: Art and the Pleasures of Knowing, which accompanies the exhibition of the same name.

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Platon
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PICTURED #1: Richard Mosse, The Enclave

In the first of a new series focusing on visually-rich art books and publications, Tim Clark looks at the disturbingly sublime images of the photographer Richard Mosse, whose images from wartorn Congo are currently showing in Venice and are to be featured in a 240-page book from Aperture.

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