London-based artist Kimathi Donkor is among 12 artists featured in the Diaspora Pavilion at this year’s Venice Biennale, presented by the International Curators Forum and University of the Arts London. He talks about the importance of the British black arts movement in the 1980s, history painting, and the idea of diaspora.
Q&A - a-n The Artists Information Company
For her Venice Biennale film, Spite Your Face, Scottish artist Rachel Maclean has created a re-working of the Pinnocchio story that explores power, political lies and the rise of populism. Moira Jeffrey talks to her about the themes and form of the work.
London and Scotland-based artistic duo Thomson & Craighead have created a new generative moving image work for the Look Again festival in Aberdeen. They talk to Jack Hutchinson about the impact of the internet on our lives and how splitting their time between rural and urban areas has benefitted their practice.
Keith Piper’s exhibition at New Art Exchange, ‘Unearthing the Banker’s Bones’, explores the idea of what our society’s relics might look like from a future perspective. The founder member of the BLK Art Group talks to Wayne Burrows about the themes contained within the work and the continued importance of political and social questions to his practice.
Artists Alex Hartley and Tom James have created a geodesic dome constructed from reclaimed materials and situated it in the Capability Brown-designed gardens of Compton Verney, a Georgian mansion and gallery in rural Warwickshire. Anneka French finds out about their plans for the future.
Vancouver-based artist and musician Rodney Graham is best known for his large-scale photographic lightbox works, in which he features in a variety of guises. A new show at Baltic, Rodney Graham: That’s Not Me, presents work from 1994 to 2017 and includes a whole gallery dedicated to his varied and experimental film pieces. Fisun Güner asks the questions.
As a member of Artangel’s production team, Laura Purseglove is used to site-specific working and navigating the complexities of staging art projects in historic buildings. All of which will be useful experience for her role at ACE Trust, where over the next two years she will be developing a programme of exhibitions and commissions for churches and cathedrals throughout the UK. Pippa Koszerek finds out more.
With a solo show at ICA and as part of a group exhibition at Eastside Projects, Sonia Boyce is exploring ideas around play, improvisation and sculpture – including a collaborative project with ukuele-playing skateboarders. Anneka French talks to the artist during the first of two lively, nerve-wracking performances in Birmingham, as skaters fly by and instruments are played.
Having graduated from the Royal College of Art last year, London-based artist Holly Hendry has won numerous awards and just opened her first solo show in a UK public gallery at Baltic, Gateshead. Anneka French talks to her about her whirlwind career so far.
For her current show at The Showroom, London-based artist Laura Oldfield Ford has constructed a disorientating visual, textual and sonic journey that draws on her experiences of navigating the gallery’s surrounding area, weaving together multiple voices and alternative histories and futures. Lydia Ashman finds out more.
For her Art on the Underground commission, you don’t know what nights are like?, Mitra Tabrizian has produced two large-scale billboard photographs outside Southwark station that explore the isolation and marginality of London’s night workers. Chris Sharratt finds out more.
With solo exhibitions at Spike Island and Modern Art Oxford, and archival work in a new group show at Nottingham Contemporary focusing on Black British art from the 1980s, Lubaina Himid’s paintings and installations are attracting both critical and popular acclaim. Fisun Güner talks to her about politics, migration, and taking on the art establishment.
Working in a wide-range of media from film to sculpture to performance, London-based artist Larry Achiampong draws on colonial history, his own Ghanian heritage, and the experience of growing up in Britain to create works that explore ideas around class, race and cultural identity. Wayne Burrows talks to him.
Jenni Lomax announced late last year that she is stepping down from her role at Camden Arts Centre, a position she has held for 26 years. Fisun Güner talks to the much admired director about working with artists, the importance of education in the gallery’s programme, and what she will do next.
Best known for Seizure, his 2008 Artangel commission for which he covered the interior of a South London flat with copper sulphate, Roger Hiorns’ current show at Ikon Gallery sees him back in his home city, where he also hopes to soon bury a decommissioned Boeing 737. Fisun Güner talks to the artist.
The Shropshire-born artist grew up on a farm, with his childhood experiences influencing everything from the content to the materials of his paintings. Here he discusses the continuing importance of painting and his latest body of work, currently on show at the Saatchi Gallery’s ‘Painters’ Painters’ exhibition.
‘The Last Editions’ is the final chance to celebrate the work of The Multiple Store and to buy one of the high-quality editions it has been commissioning since 1998 by artists including Turner Prize nominees and winners. Co-founder Nicholas Sharp talks about his reasons for starting the project, and why it’s now time to wrap things up.
One of six artists shortlisted for this year’s Artes Mundi prize, John Akomfrah is known for his beautifully-shot film installations that tackle big themes such as race, cultural identity, migration and post-colonialism. Fisun Güner talks to him.
Scottish artist Katie Paterson has recently published her first monograph, documenting almost 10 years of multidisciplinary projects that range from a 100-year artwork to streetlights powered by lightning. Anneka French finds out more.
The influential Belgian artist Luc Tuymans currently has a small show of his own work, ‘Glasses’, at the National Portrait Gallery, while a major James Ensor exhibition he’s curated opens at the Royal Academy later this month. He talks about both with Fisun Güner.
For over 30 years, New York’s Guerrilla Girls have been the feminist conscience of the art world, exposing sexism through protests and original research on posters, stickers, billboards and artwork. Fisun Güner spoke to two of the founding members about their new Whitechapel Gallery show, ‘Guerrilla Girls: Is it even worse in Europe?’
For her current exhibition at De La Warr Pavilion in Bexhill-on-Sea, Fiona Banner ranges across graphic and font design in her continuing exploration of language and form. Dany Louise talks to her.
For his exhibition in Glasgow, the London-based, Philippines-born artist traces the global tentacles of neoliberalism through an exploration of objects sold at key auctions over the last 25 years. He explains more to Chris Sharratt, including what drew him to former prime minister Margaret Thatcher’s iconic handbag.
The first-ever biennial Estuary festival presents 16 days of art, literature, music and film ‘curated in response to the spectacular Thames Estuary’. Chris Sharratt talks to Kent-based, water-loving artist Adam Chodzko about his latest iteration of Ghost, featuring a specially adapted kayak with room for one reclining passenger.
As part of the Super Slow Way programme in Lancashire, Los Angeles-based artist Suzanne Lacy is bringing the local community together through Sufi chanting, shape-note singing and a banquet for 500 people. Bob Dickinson finds out more.