Q&A - a-n The Artists Information Company

Rabiya Choudry: COCO!NUTS!, installation view, 2018, Transmission, Glasgow. Photo: Matthew Arthur Williams for Transmission
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A Q&A with… Rabiya Choudhry, painter of “joyous, demented expressions”

For her show at Glasgow’s Transmission gallery, Scottish artist Rabiya Choudhry presents selected works from a six-year period including paintings, printed fabrics and a neon window sign in tribute to her dad. Jessica Ramm asks where her vibrant but troubled paintings come from and what it means to fly solo at this important artist-run space.

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Fiona MacDonald, The Worker’s Reverie, 2017, video still. Courtesy: artist
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Blogger Q&A: Fiona MacDonald, Feral Practice

Artist Fiona MacDonald’s Feral Practice is an established mode of visual art production that acts as a conduit between human and non-human interaction. From the sonification of mushrooms to the filming of wood ants, her practice is wide ranging. Richard Taylor finds out more.

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Onyeka Igwe. Courtesy: the artist
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A Q&A with… Onyeka Igwe, artist filmmaker exploring resistance to colonialism

London-based artist Onyeka Igwe has mined colonial-era archives for three new films inspired by all-women protests against British rule in west Africa, currently showing together in the solo exhibition ‘No Dance, No Palaver’, in Hawick, Scotland. She discusses the spectre of the ‘colonial gaze’ and the ethics of archive research with Sonya Dyer.

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Michael Dean, 'Having you on' installation view, Baltic Centre for Contemporary Art, Gateshead.
Photo: Jonty Wilde;
© 2018 Baltic and Jonty Wilde
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A Q&A with… Michael Dean, sculptor

The Newcastle-born artist’s current exhibition at Baltic in Gateshead consists of a labyrinthine sculptural installation that is visually arresting and teeming with narrative. Fisun Güner talks to the 2018 Hepworth Sculpture Prize nominee about making work that reflects life outside the art world’s “pool of middle-class light”.

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Scything competition. Photo: S Damant
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Blogger Q&A: Jeremy Hastings, peripatetic artist

From community projects to land work, Jeremy Hastings has used his many travels and itinerant lifestyle to share skills and learn from landscapes to create painting and photography. Richard Taylor finds out more.

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An invitation to Travel 2017
 - Journey Flag.
Created from the shape of people’s journeys to St. Ives and hoisted above the market Square to mark the info point for the walk.
Image Credit - Jason Archontides
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A Q&A with… Sally Stenton, Artists Access to Art Colleges placement artist

Between October 2017 and April 2018 Sally Stenton spent time at Anglia Ruskin University, using its facilities and developing a conceptual work that connected the university’s art and science departments. With applications now open for the 20th year of AA2A placements, Pippa Koszerek catches up with the artist to discuss her residency and its impact on her ongoing practice.

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Matthew Krishanu with Weapons, 2018. Photo: Peter Mallet
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A Q&A with… Matthew Krishanu, painter

The Bradford-born artist’s current exhibition ‘The Sun Never Sets’ at Huddersfield Art Gallery draws on his childhood memories of living in Bangladesh while also exploring the impact and legacy of colonialism. Fellow painter Narbi Price asks the questions.

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Katarzyna Perlak, Niolam Ja Se Kochaneczke, video still, 2016. Courtesy; artist.
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Blogger Q&A: Katarzyna Perlak, artist queering folk tradition

Katarzyna Perlak is this month’s featured artist on a-n’s Instagram. Her practice uses archival research and her own experience to apply queer and feminist readings to Eastern European history and tradition. Richard Taylor speaks to Perlak about her video and collage works.

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Christine Borland, The China Harvest, 2018. Image Keith Hunter
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A Q&A with… Christine Borland

Christine Borland’s current show ‘to The Power of Twelve’ looks at the history of Mount Stuart, a neo-gothic country mansion on the island of Bute, during the first world war when it was used as a naval hospital. She talks to Jessica Ramm about the project which sees her return to Mount Stuart fifteen years on from her first exhibition at the Grade A listed house.

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John Water, artist. Courtesy: CGP Gallery and the artist
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A Q&A with… John Walter, an artist going viral

For his exhibition, ‘CAPSID’, John Walter draws on his time as resident artist of infection at UCL where he collaborated with structural virologist Professor Greg Towers. Lydia Ashman finds out how his focus on a protein shell that enables the rapid transmission of viruses has resulted in a riotous, playful mix of film, painting, collage and installation.

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Forensic Architecture, 
The Ayotzinapa Case:
A Cartography of Violence. https://www.forensic-architecture.org/case/ayotzinapa/
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A Q&A with… Simone Rowat, Forensic Architecture

Nominated for the 2018 Turner Prize and a recent recipient of the European Culture Foundation’s Princess Margriet Award for Culture, the London-based independent research agency Forensic Architecture is making political and cultural waves with its evidence-based work. Chris Sharratt talks to artist and filmmaker Simone Rowat, one of the group’s 15 team members.

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Hardeep Pandhal, 'Konfessions of a Klabautermann', exhibition view, Berwick Film & Media Arts Festival, September 2017. Photo: Max Slaven; Courtesy: the artistl
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A Q&A with… Hardeep Pandhal, Glasgow International artist

As he prepares for his Glasgow International solo show at Kelvin Hall, Jessica Ramm – who is also exhibiting during GI – talks to the Glasgow-based artist about authority, control and power, and how his work offsets some of the grandeur of the city’s colonial past.

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Richard Parry, director, Glasgow International. Photo:  Jonathan Lynch
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A Q&A with… Richard Parry, Glasgow International director

Richard Parry was appointed director of the biennial Glasgow International festival in May last year, following a move from Blackpool where he was director/curator at the Grundy Gallery. Chris Sharratt talks to him about the artistic rhythm of Glasgow’s rich and vibrant art scene, and his approach to curating the festival, which is now in its eighth edition.

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Claire Barclay at Mission Gallery, Swansea. Photo: Matthew Otten
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A Q&A with… Claire Barclay, artist responding to industrial contexts

For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.

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Rachel Howard in her studio in Gloucestershire. Photo: Carla Borel, April 2015
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A Q&A with… Rachel Howard, abstract painter reflecting an unstable world

Rachel Howard’s paintings reference an unstable and violent world, drawing on political events and the devastation of war. With two current London exhibitions at Blain Southern and Newport Street Gallery, Fisun Güner talks to the artist about what inspires her work and how her early experience painting spots for Damien Hirst influenced her approach.

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Joe Hill, director, Towner Art Gallery, and former director of Focal Point Gallery. Courtesy: Focal Point
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A Q&A with… Joe Hill, Towner Art Gallery’s new director

The former director of Southend-on-Sea’s Focal Point Gallery takes up his new role in Eastbourne at a difficult time for the gallery, as local council cuts mean a 50% reduction in funding over the next four years. Judith Alder finds him relishing the challenges ahead, and with a focus on opportunities for the gallery to play a more central role in the life of the East Sussex town.

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Serena Korda packing up 'Missing Time' for the Baltic exhibition. Photo: Chris Egon Searle
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A Q&A with… Serena Korda, artist working with ceramics and sound

Serena Korda has for the last two years been based in Newcastle as the Norma Lipman/Baltic Fellow in Ceramic Sculpture at Newcastle University, culminating in a show at Baltic, Gateshead. Laura Robertson talks to her about this and her current exhibition at The Hepworth Wakefield, exploring how she draws on local myths and rites for her ceramic and sound pieces.

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Blogger Q&A: Michael Borkowsky, artist and perfumer

This week’s featured artist blogger on a-n’s Instagram is Michael Borkowsky. Over recent years the Sheffield-based artist has adopted the craft of perfumery in his visual art practice leading him to, amongst other things, work directly with other artists in portraiture. Richard Taylor finds out more.

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Clare Woods, Something Bigger, 2017, Oil on aluminium, 300 x 200 cm. Courtesy: the artist and Simon Lee Gallery London / Hong Kong
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A Q&A with… Clare Woods, painter with a sculptural approach

The Herefordshire-based painter Clare Woods has developed a series of eight large-scale oil on aluminium works for her new show at Warwick Arts Centre’s Mead Gallery, reflecting an ongoing move away from abstraction towards more figurative paintings. Anneka French talks to the artist about scale, process and her photographic source material.

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Rose Wylie in her studio, 2017. Photo:  Joe McGorty; Courtesy: Serpentine Galleries
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A Q&A with… Rose Wylie, painter

Rose Wylie has found critical and commercial success late in life, winning the 2014 John Moores Painting Prize at 80 and her first major exhibition taking place when she was 77. As her show, ‘Quack Quack’, continues at London’s Serpentine Sackler Gallery, the Kent-based artist talks to Fisun Güner about show titles, inspiration and more.

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