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Inventory of Behaviours: finding value in the things artists do when not making artworks

Following a call-out asking artists to submit their ‘preparations, patterns, neuroses, speculations, and procrastinations that surround the production of art in the studio’, the four-day Inventory of Behaviours event at Tate Modern saw these submissions turned into instructions that were carried out by volunteer artists, students and members of the public. Trevor H. Smith explores the value of the transitional space between not making and making art.

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First major outdoor public artwork by Christo in the UK opens in Hyde Park; Fundraising Regulator back Bow Arts Trust over charitable donations dispute

In Brief: News briefing featuring national and international stories including: National Gallery to display The Monarch of the Glen for first time in 160 years; Gagosian Gallery files motion to dismiss lawsuit after Jeff Koons’s studio was accused of failing to deliver a trio of sculptures, Anish Kapoor to sue the National Rifle Association over copyright infringement, plus public art collective Indecline call out Trump over child detention policy with billboard work.

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A Q&A with… John Walter, an artist going viral

For his exhibition, ‘CAPSID’, John Walter draws on his time as resident artist of infection at UCL where he collaborated with structural virologist Professor Greg Towers. Lydia Ashman finds out how his focus on a protein shell that enables the rapid transmission of viruses has resulted in a riotous, playful mix of film, painting, collage and installation.

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Why artists move: Cornelius Quabeck

Originally from Germany, Glasgow-based painter Cornelius Quabeck first spent time in the city during a two-month artist residency in 2011. He talks to Dan Thompson about living and working in Düsseldorf, London and San Francisco, and the reasons that brought him back to Scotland in 2016.

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Why artists move: Paul McDevitt

In 2015, Scottish artist Paul McDevitt set up Farbvision, a project space in Berlin’s Prenzlauer Berg district that presents solo exhibitions and is also home to the INFINITE GREYSCALE record label. He talks to Dan Thompson about his reasons for relocating from the UK, and the artistic freedom and financial reality of life in his adopted home.

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International Report: Printemps De L’Art Contemporain 2018 festival, Marseille

The 10th edition of the annual Printemps De L’Art Contemporain festival in Marseille coordinates exhibitions by more than 45 venues across France’s second city and includes a strand on artists from Glasgow, with which the city is twinned. Chris Sharratt reports from the port city that is prioritising contemporary art as it prepares to host Manifesta in two years time.

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Glasgow International 2018: recommended shows and works from across the festival

With nearly 100 exhibitions and featuring more than 250 artists, the eighth Glasgow International festival, which continues until 7 May, is a bustlingly busy affair taking place in venues across Scotland’s largest city. To help you navigate it, seven writers on the a-n Writer Development Programme 2017-18 offer their recommendations following an intense and varied opening weekend.

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A Q&A with… Hardeep Pandhal, Glasgow International artist

As he prepares for his Glasgow International solo show at Kelvin Hall, Jessica Ramm – who is also exhibiting during GI – talks to the Glasgow-based artist about authority, control and power, and how his work offsets some of the grandeur of the city’s colonial past.

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A Q&A with… Claire Barclay, artist responding to industrial contexts

For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.

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In Brief: Glasgow artists launch sculpture ‘adoption’ scheme; Peckham’s Arcadia Missa to relocate due to gentrification

News briefing with national and international stories, including: We Are Not Surprised call on Tate to sever all links with art dealer Anthony D’Offay, Marta Moreira De Almeida appointed deputy director of Serralves Museum Of Contemporary Art in Porto, and Ikon Gallery director Jonathan Watkins to curate Quebec City’s ninth Manif d’art biennial.

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